High-End Audio / Audiophile & Music Industry News

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07 / 30 / 25

IFA 2025 To Feature Immersive Music Experiences
With an impressive 215,000 attendees from 138 countries and featuring ~1800 exhibitors plus 187 conference speakers, the 101st edition of IFA is scheduled from September 5th through 9th in Berlin. Berlin's popular Messe Berlin conference center will transform into the world's consumer-tech showcase as IFA (Internationale Funkausstellung) features consumer electronics and home audio. While other events may feature legacy devices, now in its 101st edition, IFA offers attendees every facet of tomorrow's lifestyle: from smart home music distribution and automation to AI-driven voice-activated audio connectivity, digital gear, mobile hi-fi solutions, and much more! Attendees navigate themed show areas that unite global brands, innovative startups, and reseller forums under one sprawling roof, ensuring that buyers, press, and enthusiasts all find their niche. Building on its century-long legacy, today's modern IFA 2025 introduces immersive experience zones designed to spark creativity and community. The IFA Creator Hub offers influencers and storytellers live-stream studios, podcast booths, and VIP lounges. Complementing these interactive areas, the inaugural IFA Innovation Awards will celebrate standout design and engineering across consumer electronics and appliances, with winners enshrined in a dedicated gallery at next year's show.

Beyond hands-on demos and immersive listening spaces, IFA 2025's Innovation, Dream, and Creator stages deliver four days of deep-dive programming on Future of Intelligence, Smart Society, Connectivity, and Sustainability. Highlights include keynote addresses by Electrolux's CEO on resource-efficient manufacturing and by Dr. Markus Miele on AI in home appliances, plus expert panels on AI-driven wellness, next-gen networks, and circular-economy strategies. High-level networking unfolds at the invite-only Retail Leaders Summit, while ShowStoppers on September 4 gives media early access to product launches. Trade visitors secure business conferences, exclusive previews, and guided sector tours, and general-public tickets unlock live demos, e-sports competitions, Summer Garden music concerts, and celebrity autograph sessions—all bookable now via the IFA portal, which also offers travel planning, accommodation deals, and interactive venue maps.

07 / 29 / 25

Spinal Tap II: The End Continues In Theaters September
This Is Spinal Tap, released in 1984, is a landmark mockumentary directed by Rob Reiner (also plays a role as Marty Di Bergi) that chronicles the fictional British heavy-metal band Spinal Tap on their American comeback tour. Fronted by David St. Hubbins (Michael McKean), Nigel Tufnel (Christopher Guest), and Derek Smalls (Harry Shearer), plus assorted drummers, the film adopts a documentary style—complete with backstage interviews, on-stage mishaps, and impromptu jam sessions—to parody the excesses and absurdities of rock 'n' roll culture. Its improvisational dialogue, devised by the principal actors, lends an authentic spontaneity to moments like the notorious on-stage meltdown over miniature Stonehenge props, broken amplifiers, and the endlessly quoted line, "These go to eleven." Beyond its unflinching send-up of tour-bus banter and egotistical rock personas, This Is Spinal Tap resonated for its affectionate satire rather than mean-spirited mockery. Moments such as the baffling album cover art, the band's heartfelt yet misguided press conferences, and the ongoing drummer-related calamities (including spontaneous combustion and choking incidents) showcase a razor-sharp wit tempered by genuine camaraderie among the characters. The film's clever balance of cringe and comic relief helped it transcend genre boundaries, turning it into a cult classic almost overnight.

Over the decades, Spinal Tap has influenced countless mockumentaries, from Waiting for Guffman to A Mighty Wind, and has been embraced by both music and film aficionados. It introduced tropes—like the oversized stage props and the amplifier that literally "goes to eleven"—into the rock lexicon, while its characters became archetypes for self-important musicians everywhere. Forty-one years after the original's release, Spinal Tap II: The End Continues reunites Michael McKean, Christopher Guest, Harry Shearer, and director-narrator Rob Reiner for "one final concert," documenting the band's attempt to reconcile past grudges and secure a 12th drummer who survives past the encore. Set to hit theaters on September 12, the sequel brings back documentarian Marty Di Bergi (Rob Reiner) capturing the trio's absurd rehearsals and backstage antics, while featuring star-studded cameos from Paul McCartney, Elton John, Garth Brooks, Questlove, and Trisha Yearwood. The first trailer, unveiled July 24, 2025, promises more of the original's musical mayhem, with the band determined to turn the volume "beyond eleven" for their ultimate farewell gig. But who will be their drummer?

07 / 28 / 25

Stay True To The Act: Protect Copyrighted Works Of Art
Over 30 prominent and emerging artists from across the EU have joined forces in a video campaign called "Stay True To The Act," urging European policymakers to honor the original intent of the EU AI Act and safeguard creators from unlicensed use of their work by generative AI firms. Among those speaking out are Spanish singer-songwriter Álex Ubago, who emphasizes that "AI should protect music and those who create it," and Poland's Eurovision 2025 representative Justyna Steczkowska, who demands the right to know if—and to refuse—when her music is used to train AI systems. The IFPI, an organization that claims to be the voice of the recording industry, says, "The Stay True To The Act campaign is a direct appeal to the European policymakers to ensure that implementation of the Act reflects its original spirit of transparency, accountability and the protection of European creators."

The coalition's appeal centers on a critical concern: AI developers are reportedly leveraging copyrighted material without artists' knowledge or consent to train models capable of churning out content that closely mimics individual styles. Although the 2024 EU AI Act introduced pioneering requirements for developers to disclose training data, campaigners warn that current discussions risk diluting these transparency and accountability clauses, leaving creators vulnerable and undermining the legislation's protective purpose. Through heartfelt video messages, the artists call on the European Commission to implement the AI Act in its full spirit by ensuring that creators retain control over how their works are used and receive fair remuneration, that AI training processes remain transparent and compliant with existing copyright rules, and that a thriving, collaborative ecosystem emerges where both music and AI innovation can flourish throughout the EU.

07 / 25 / 25

Capital Audiofest 2025: Washington DC's Ultimate Audiophile Experience
Capital Audiofest (CAF) 2025 is set to take place from November 14th to 16th at the Hilton Rockville in Maryland, continuing its legacy as the East Coast's largest and most beloved high-end audio show. The event will run from 10 a.m. to 6 p.m. on Friday and Saturday, and 10 a.m. to 4 p.m. on Sunday, offering three full days of immersive listening experiences, gear demos, and community engagement. Founded in 2010 by Gary Gill, CAF has grown from a grassroots gathering into a cornerstone of the North American audiophile calendar, drawing enthusiasts, engineers, and manufacturers from across the globe.

The 2025 edition promises to uphold its reputation for warmth and accessibility, with a family-friendly atmosphere and a strong emphasis on music appreciation. Music lovers will enjoy a CAF record-breaking ~150 listening rooms, each tailored by exhibitors to showcase their latest innovations in audio reproduction. Attendees can expect to audition everything from cost-no-object reference systems to clever budget-friendly setups, with a wide range of analog and digital front ends. The Atrium Marketplace will be buzzing with vendors offering rare vinyl, CDs, accessories, and audiophile curiosities, while the theater and bar areas will host live music performances and special evening events.
---> Learn More At Enjoy the Music.com's Exclusive CAF 2025 Show Report.

07 / 24 / 25

GTT Audio Visits Rufus Smith Of Enjoy the Music.com
Bill Parish visits a longtime audio reviewer in North Carolina.
Article By Rufus Smith
The week of May 24, 2021, I had the pleasure of hosting two of what I consider two of the giants of the industry, Bill Parrish of GTT Audio & Video and Joe Kubala of Kubala-Sosna Research. GTT Audio has been in business since 1995 and has established itself as one of the top retailers/distributors of high-end audio equipment in the US. GTT is currently the distributor and flagship retailer for Audionet, Kronos Audio, and Mola Mola. In addition, they are a premier dealer for YG Acoustics and Kubala Sosna. Of course, these companies represent just a fraction of the products they carry, and Bill brings 43 years of experience in the audio/music business to share with his clients.
---> GTT Audio Visits Rufus Smith Of Enjoy the Music.com.

MC Audiotech Forty 10 Loudspeaker Review
This could be your 'forever speaker'.
Review By Rick Becker
Call it what you like, but we have to start here. If you can't get past the way the Forty-10 looks, all the praise in any audio journal will be meaningless to you. Straight and simple, it is quintessential Mid-Century Modern design. In terms of where American mainstream home furnishings is today, it is spot on. In terms of the interior design of people that can afford this speaker, well, you may need to adjust. The original Eames lounge chair and ottoman is still available from Herman Miller for $7000 and the knock-off can be had for less than $1300. Many contemporary Scandinavian recliners will also work very nicely. Ekornes is not your only option. If you've got a dedicated listening room (and most people considering a $37,000 speaker will) this should not be a problem. As a two-way dipole, it needs to be 30" to 40" out from the front wall behind it. It will have a definite presence in your room.
---> MC Audiotech Forty 10 Loudspeaker Review.

07 / 22 / 25

Futuresource Consulting's Audio Collaborative 2025
Futuresource Consulting's Audio Collaborative 2025 returns as the audio sector's premier one-day summit on Wednesday, 12 November 2025, hosted at London's iconic Soho Hotel. This full-day gathering brings together senior executives, emerging disruptors and thought leaders under one roof to explore the intersection of commercial strategy and cultural context. With Futuresource's renowned research at its core, delegates will gain a panoramic view of market performance, emerging technologies and consumer behavior in a data-driven environment designed to inspire bold thinking and informed decision-making. The event program is structured around a series of data-rich presentations and high-impact panel discussions. Highlights include "The Audio Industry in Numbers," which delivers an up-to-the-minute assessment of category winners and losers; "Voice of the Retailer," spotlighting shifting channels and shopper preferences; and "Decoding the Audio Consumer," leveraging Futuresource's Consumer Insights to map purchasing drivers. Other sessions—such as "Tariff Turbulence," examining macroeconomic headwinds, and "The Innovative Future of Hearing Health," probing Apple's entry into OTC hearing aids—underscore the breadth of strategic challenges and opportunities facing the industry in 2025 and beyond.

Beyond its agenda, Audio Collaborative 2025 offers unrivalled networking opportunities—roundtables, informal meet-ups and a closing drinks reception—to forge new partnerships and share best practices. Attendees can interact with visionaries across global brands and startups, while event partners and sponsors gain exposure to a highly engaged audience. Early-bird tickets are priced at £266 (plus VAT) until the specified deadline, before standard tickets rise to £399, and point-to-point sponsorship packages are available for companies aiming to raise their profile within the sector.

07 / 21 / 25

audioXpress' August 2025 Issue
Editorial: The Endless Mysteries Of Acoustics
The Audio Circuits Cookbook By Ethan Winer
Neumann RIME Ref. Immersive Monitoring Environment
A Microacoustics Modeling Primer Part 2 Numerical Modeling
Acoustical Effects Of Floor Finishes
New Dimensions In Acoustics
The Room Impulse Response (RIR) Paradox
Real-Time Acoustic Simulation
Anechoic Chamber Design Fundamentals
And Much More!

Within his editorial, J. Martins says "I had great experiences at AXPONA and the High End Show in Munich this year. Both shows are extremely influential in projecting trends every year, revealing both the extreme high-end of audio designs for those that are aiming for the ultimate and the latest concepts for the more approachable home audio tiers of the market, which increasingly also include more high-quality lifestyle products. On top of the audio and design innovations that audioXpress reports, those trade shows reveal the overall directions for audio technology for the home market, showing how brands are revived and refreshed, and how technology creates new listening possibilities in the living room, for entertainment systems, and even whole home and multiroom approaches. This is more noticeable at the European show, and needs to be reinforced in the expo area of AXPONA, creating a welcome and much-needed opportunity for more mainstream products and brands, many of whom have more products than those they are able to fit in a listening room."
---> audioXpress August 2025 Issue.

07 / 17 / 25

dCS LINA Head-Fi / Headphone System Review
Headphone listening for the ages!
Review By Frank Iacone
dCS is not a company that releases new products often unless it can make a significant upgrade in overall performance. The Bartók was dCS's first entry into the high-end headphone market designed with dCS's famous Ring DAC it was a successful product for dCS. The Headphone community received it well and I enjoyed my time with it during my review and was sad to see it leave.  Not to rest on their laurels, dCS spent two years in designing the new Lina System, a Modular three-piece design that includes a separate Headphone Amplifier, Ring DAC, and Master Clock as a step up from the Bartók. Designed for ultimate listening performance the Lina System can be purchased as individual units or as an entire system, while aesthetically, the Lina's modern and sleek contemporary design will work well in any home or office setup.
---> dCS LINA Head-Fi / Headphone System Review.

Pass Labs X260.8 Monoblock Amplifier Review
Prestigious power, glorious grace, and terrific transparency.
Review By Dwayne Carter
Pass Laboratories, Inc., is a name that most audiophiles utter, after describing a product that comes close to perfection. "XXX amplifier almost sounds as good as the Pass Labs XXX model". We've all done it. Fortunately, "as good as" will have to wait. Thanks to the good people at Pass Laboratories; I get the real thing. As the world was on pause, my listening room entertained a pair of Pass Labs X260.8 monoblock amplifiers. In full disclosure, I would like to admit that I have been a fan of Pass Labs products for many years. I've never owned or reviewed any of their products, so I was looking forward to this delivery.... The Pass Labs X260.8 monoblock amplifiers require two people to move. I know most amplifier manufacturers recommend this, but this is the first time I heeded their recommendation. Luckily, my good friend Michael was able to help me wrestle these beasts into place.
---> Pass Labs X260.8 Monoblock Amplifier Review.

07 / 10 / 25

World Premiere Review!
Metronome Audio Le DAC 2 Review
The Spice must flow.
Review By Paul Schumann
It's no secret that Hollywood has become the land of the sequel. Nine of the top ten grossing movies from 2022 were sequels. I excluded The Batman because it technically wasn't a sequel, but it was a reboot, for goodness' sake. Now I'm not going to bash sequels out of hand. I watch a bunch of them myself. My big complaint is when a sequel is done by a different set of writers and a new director and is so different from its predecessor in tone and theme that about halfway through I throw up my hands and ask, "Why am I watching this?". One sequel I'm looking forward to watching is Dune: Part 2. While they call it a sequel, it's more of a continuation of the first movie with Denis Villeneuve and his team completing the task. Even though I've only seen 2.5 minutes of it in a trailer, I am incredibly hopeful that this crew will bring the ship safely into the harbor. Yes, I could be wrong, but like Fremen, I believe.
---> Metronome Audio Le DAC 2 Review.

Let's Talk About Luxurious Premium Audio Shows
Hi-fi shows and what they ought to be.
Article By Roger Skoff
If you're an audiophile, you've almost certainly either been to a high-fidelity audio event (Hi-Fi Show) or wanted to go to one. Back in the days before I got into the industry, every time CES – the Consumer Electronics Show – came around (There used to be two of them – Las Vegas and Chicago), I would always ask my industry friends if they had gone to it; how they liked it; what had been the hit of the Show; and what new great stuff I should hunt down and buy for myself. Invariably, the answer I got was that they had been too busy working their own exhibits to actually go and see or listen to anybody else's; and that they had effectively seen or heard nothing. NO FUN! That was back years ago, when hi-fi was – following the great hi-fi boom of the late 1950s and 1960s when stereo LP records were first introduced, and the second boom in the 1980s, when CDs came along offering "perfect sound forever," a common interest....
---> Let's Talk About Luxurious Premium Audio Shows.

07 / 08 / 25

Shanghai International Top Audio-Visual Show (TAS) 2025
The 32nd Shanghai International Top Audio-Visual Show (TAS) is set to take place this weekend, from July 11 to 13, at the Shanghai International Convention Center in Lujiazui, Pudong. Nestled on Binjiang Boulevard along the Huangpu River and just steps from the iconic Oriental Pearl Tower, the venue offers easy access to Shanghai's financial district and skyline vistas. Over three days, TAS will transform the convention center into a showcase of high-end immersive audio-visual (A/V) craftsmanship and innovation. Driven by both industry heavyweights and boutique specialists, the 2025 edition will feature more than 200 exhibitors presenting over 2000 brands. Attendees can expect comprehensive demonstrations of cutting-edge loudspeaker systems, state-of-the-art amplification, digital streaming solutions, immersivephile home-theater setups, and smart-home integration. Each year the show draws roughly 35,000 visitors, from audiophiles and A/V integrators to international buyers scouting the latest trends in hi-fi and commercial A/V technology.

Beyond product displays, TAS 2025 will host expert-led seminars, hands-on workshops, and guided listening sessions where guests can engage directly with engineers and designers. Networking lounges and meeting suites provide a forum for distributors, dealers, and journalists. The centerpiece of TAS 2025 will be the latest in immersive spatial audio systems, moving well beyond traditional 5.1 or 7.1 channel layouts. Expect demonstrations of immersivephile sound systems, object-based formats like Dolby Atmos, DTS:X, and Auro-3D powered by advanced loudspeaker arrays and beamforming technology. Manufacturers will showcase wave-field synthesis rigs capable of creating locally precise sound zones, so each listener hears a personalized mix. These setups highlight how multi-driver panels and coaxial point-source speakers can render hyper-realistic soundscapes for home cinemas and dedicated listening rooms. As one of Asia's premier high-end luxury A/V gatherings, the Shanghai International Top Audio-Visual Show continues to set the pace for technological advancement and market expansion across Greater China and beyond.

07 / 07 / 25

Hi-Fi+ July 2025 High-End Audio Magazine
Editorial: Making High-End Audio Gear Bigger
Clearaudio Performance DC, TT5 And Stradivari V2
Soulution Audio 331 Integrated Stereo Amplifier
Doshi Audio Evolution Stereo Line Preamplifier
Acoustic Energy AE3092 Floorstanding Loudspeaker
Euphony Summus 2c And 4c Music Server
Piega Premium 301 Gen2 Stand-Mount Loudspeaker
PMC prophecy7 Floorstanding Loudspeaker
Karan Acoustics Master Collection POWERb MONO 
Chord Electronics Alto Integrated Headphone Amp
McIntosh DS200 Network Streamer / DAC
...And Much More!

Within this month's editorial, Alan Sircom says "The Loudness Wars of the first years of the 21st Century are, thankfully, largely behind us. The days of 'everything louder than everything else' and '3dB of dynamic range equals a hit single' are mostly a thing of the past. However, the excesses of that time highlight a maxim that is so easily forgotten in all walks of life, including good audio; just because you can do a thing, doesn't mean that you should. High-end audio, like its counterparts in many luxury goods markets, has yet to find its price ceiling. I don't think it's possible to build a system that exceeds the five million mark yet (be that Pounds, US Dollars, or Euros), but we're getting very close to that price point. Doubtless, a couple of years from now, we'll be pushing the eight-figure barrier. But... should we? Audio enthusiasts want to build a system out of the best sounding products and that creates a 'Top Trumps' world where pinnacle performance rules. But a loudspeaker with a frequency range from DC to light or an amplifier with reservoir capacitance that could jump-start an aircraft carrier might be overkill even in the largest listening rooms."
---> Hi-Fi+'s July 2025 High-End Audio Magazine.

07 / 01 / 25

Audiophiles: July's Must-Read Fight Against AI Music
Plus high-end audio gear reviews, show reports, and more!
Within the July 2025 issue of Enjoy the Music.com's Review Magazine, we feature a special world premiere review of the much-anticipated Genesis G7 Samba floorstanding loudspeaker. Our Senior Editor, Tom Lyle, was amazed by the lifelike sound. With two more show reports, HIGH END in Munich and InfoComm in Orlando, there's a lot to unpack from these major consumer electronics showcases. Within this issue, we're focusing on what everyone is talking about: Artificial Intelligence (AI). While AI can be very helpful and a big timesaver, it can also replace some human activities. We know the music BUSINESS is already taking great advantage of AI, which also rings higher profits for record labels and removes the problem of costly and emotional human musical artists. Why pay for a human to create music and a human tour when you can outright own it thanks to AI? Modern technology and all that.

Speaking of modern tech, our July issue also features our special exclusive review of Chesky Audio's modern LC1 bookshelf monitor. Built in the USA, the LC1 monitor's enclosure is a multi-layer, high-mass, non-resonant shell made from a proprietary high-density polymer. Chesky Audio leverages modern 3D-printing techniques to create a single-piece, multi-layer structure. In addition, our World Premiere Review of the Genesis G7 Samba floorstanding loudspeaker showcases full-range, ultra-transparent sound quality.

Genesis' Gary Koh says the Samba floorstander is the result of "years of intensive development." He also says that besides the two years it took to design the Samba, it "utilizes all the technologies that Genesis developed over the past 30 years." Three decades; that's the same as our 2025 anniversary celebration. Dive into July's Enjoy the Music.com audiophile Review Magazine and discover the high-end audio gear that's redefining high-fidelity listening this summer. As always, in the end what really matters is that you... enjoy the music!
---> Audiophiles: July Review Magazine's Must-Read Fight Against AI Music.

Audiophiles May Be The Last Line Of Defense Against The Music BUSINESS
With MIDI, AI, etc, why should the music BUSINESS use (costly and emotional) human musicians?
Editorial By Steven R. Rochlin And His AI Assistant
So I asked my AI assistant, "With computers and MIDI, why should the music BUSINESS use human musicians when a performer will be fine?" It replied: Here's why real humans still hold the cards—even in an age of perfect-on-paper MIDI and algorithmic "performers": Emotional Nuance and Imperfection • A live player breathes life into a line: tiny timing fluctuations, micro-dynamics, soft attacks and releases that MIDI CC can only approximate. • Those "mistakes" are often what move us—think of the humanized swing feel in jazz, or a vocalist's crack at the bridge that makes a song unforgettable. True Creativity and Spontaneity • Computers follow rules. Humans break them, riff on the spot, invent a lick that becomes a genre's signature. • In-studio, session pros will suggest chord tweaks, melodic turns, or rhythmic feels that no preset or randomizer would generate.
---> Audiophiles May Be The Last Line Of Defense Against The Music BUSINESS.

It's Sad, But This AI-Generated Band Will Make Some Musicians Give Up
The music is actually pretty good.
Article By Bobby Owsinski
Artist and bands face so much natural competition these days that it's a wonder why anyone even does it all. Not only do you have to worry about the other 120,000 tracks that are uploaded every day, but you now have to worry about AI-generated music as well. Case in point, a presumably AI-generated band called Velvet Sundown, as outlined by Musically. Velvet Sundown has 325,000 monthly listeners on Spotify and 1,500 followers. Everything about this band screams AI. For instance, their bio states, "This four-piece band bends time, fusing 1970s psychedelic textures with cinematic alt-pop and dreamy analog soul" Okay, maybe that's the writing of a clever publicist, but the bio goes on, ""Formed by vocalist and mellotron sorcerer Gabe Farrow, guitarist Lennie West, bassist-synth alchemist Milo Rains, and free-spirited percussionist Orion ‘Rio' Del Mar, the band feels like a hallucination you want to stay lost in."
---> It's Sad, But This AI-Generated Band Will Make Some Musicians Give Up.

12 Findings From InfoComm 2025—An AV Tech Geek Show Report
And some 'modern breakthroughs' that are shaping the Future of your audio (and video).
InfoComm 2025 Show Report By Steven R. Rochlin
Held within the Orange County Convention Center from June 7th through 13th, InfoComm 2025 was the largest professional audiovisual (AV) trade show in North America. While this is not an 'audiophile show' open to the public, it brings together industry leaders, cutting-edge immersive modern audio and video technologies, and immersive experiences. Attendees explored thousands of products related to audio, collaboration, display, audio / video streaming, control systems, enterprise IT, security, VR, higher education, and live events. For modern technology enthusiasts, the exhibit floor had several dynamic zones, with dedicated areas for augmented reality (AR) and virtual reality (VR) innovations for immersivephiles, IP communications, and smart building systems. Beyond the exhibits, InfoComm 2025 offers a robust education and networking program that caters to every facet of the industry.
---> 12 Findings From InfoComm 2025—An AV Tech Geek Show Report.

World Premiere Review!
Genesis G7 Samba Floorstanding Loudspeaker Review
You're drawn into the music by its amazing, lifelike sound.
Review By Senior Editor Tom Lyle
I first became aware of Genesis speakers when I was a young man, shortly after they were first introduced in 1991 via the audiophile press. It was tough to ignore the fact that anyone who discussed this brand of speakers never failed to mention their chief designer, the late Arnie Nudell, and his passion for research and development, as well as the use of premium materials, their impeccable design, and, by all reliable accounts, their outstanding sound quality. Genesis introduced their more affordable G7 Series in 2005, beginning with the G7c, also known as the Convertible, a bookshelf speaker designed by Genesis' Arnie Nudell, who sadly passed away in 2017. The G7c speakers were soon followed by other models created by Mr. Nudell's successor, Gary L. Koh, who is now Genesis' Chief Designer and the CEO of Genesis Advanced Technologies. These newer models included the G7p (Petite) and the G7f, a floor-standing model with an active side-firing woofer. Although the G7 Series was discontinued in 2018, it has now been reintroduced.
---> Genesis G7 Samba Floorstanding Loudspeaker Review.

Chesky Audio LC1 Bookshelf Monitor Loudspeaker Review
Clean, spacious, and incredible transparent sound.
Review By Ron Nagle
You know, I heard it through the grapevine. Chesky Audio's LC1 Bookshelf Monitor loudspeaker was mentioned in show reports I found online. Many critics remarked how great these inexpensive $996 bookshelf speakers performed. At the same time, I received a shout-out from my friend and colleague Rick Becker at Enjoy the Music.com, and he thought the LC1 would be perfect to audition in my smallish 12' by 19' foot ear cave listening room. Initially, that seemed to make a lot of sense. The old audio adage tells us, small speakers fit in a small room. So I cast my lot and submitted my case on the Chesky Audio web space. It turns out that they were in such demand that there was a serious backlog. The designer, Lucca Chesky, is pretty much a one-man band who is busy 3D printing and finishing them by hand. The backstory has him still in high school when he developed the LC1 bookshelf monitor speakers as reviewed here.
---> Chesky Audio LC1 Bookshelf Monitor Loudspeaker Review.

Best Portables CD Player For The Music Lover On The Go!
We test four retro CD players; the winner will surprise you!
Review By Steven R. Rochlin
As a world traveler, sitting within the "tuna can" for over six hours can be a mind-numbing experience. Other than the lousy airline food and ever-declining quality of onboard service, bringing your entertainment during a trip is a must. Also, those who are allowed to enjoy music at work will find this review enlightening. Portable systems must be just that, completely portable, and therefore mandate the use of headphones. So what is an audiophile to do with all the junk at mass market stores? Any audiophile worth their salt would never choose MP3 or other lossy compression schemes devices. "The iPod" shouts the Apple Dumpling Gang from the back of the room. No thank you. While it is indeed a great mass-market product, its music reproduction abilities are far behind what is truly possible. As for portable DVD units, I tried a few and feel they were just ok with higher resolution digital discs, yet most audiophiles have only one real choice.
---> Best Portables CD Player For The Music Lover On The Go!

Many more reviews & articles are within our Review Magazine.

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