Changing Times
I'm thrilled to welcome Dick Olsher to the staff of
The Absolute Sound. Dick makes his debut this issue with an appraisal of the
MartinLogan Vista loudspeaker. After you read his review I'm sure you'll share my enthusiasm for
Dick's writing. He combines deep technical understanding of audio technology with
a keen musical sensitivity — and the rare ability to draw correlations between the
technical and the aesthetic. His Vista review also left me with a vivid impression
of how the product sounded, always the hallmark of great audio writing.
I briefly shared a listening room with Dick back in 1989 when I had just joined
Stereophile as Technical Editor. I was new to high-end reviewing, and looked up
to Dick's reviews as models of clarity, technical insight, and high standards for
what products could be recommended. His reviews significantly shaped the way I approached product evaluation. Watch
for more of Dick Olsher's writing in upcoming issues of The Absolute Sound.
Many of you wrote to me in the past month expressing frustration with the
new graphic design, specifically text legibility Although the overall design is a
big step forward, I agree that the type was too small and didn't always have adequate
contrast with the background illustrations. Beginning this issue, we've increased the
font size, given the text more room (no more use of "condensed" type, and made sure that
there's adequate contrast between the text and the rest of the page. This approach brings greater readability to
the type while keeping the overall graphic elements that work so well. Thanks to all
of you who wrote for your feedback.
I'm also happy to report that beginning with Issue 170, I will be able to devote my
full time and attention to The Absolute Sound. I've been Editor-in-Chief of both
TAS and our sister publication, The Perfect Vision, since becoming EIC of
TAS more than five years ago. When I took on both roles we published six issues of each magazine a year,
making the job only a little more challenging than editing a traditional 12-times-per-year
publication. But the success of both magazines has allowed us to increase that rate
to ten issues of each title per year, a schedule that is best served by separate editors of
each magazine.
Bob Ankosko, the former editor of Sound & Vision, has been appointed Editor-in-Chief of
The Perfect Vision, allowing me to return to my first love: music and the
technology that brings it into our homes. Consequently, I will be able to increase my
editorial contribution to TAS, including more reviews, interviews, Roundtables, and
feature articles.
As part of my increased presence in TAS, I'll be writing a weekly high-end audio blog
on our Web site, AVguide.com. The blog will embrace widely diverse topics, including
first impressions of products we're working on, follow-up reports on previously reviewed
products, behind-the-scenes news from TAS, manufacturer and designer anecdotes,
technical tidbits, tweaks and set-up hints, discoveries in accessories and music, and
whatever else comes to mind. The weekly blog makes its debut December 1. I also invite
you to join our reader forum at AVguide.com and post questions or exchange ideas with
other audiophiles as well as with The Absolute Sound's writers and editors.
As part of our increased use of the Web to communicate with our readers,
we've begun posting show reports live from show venues. Rather than waiting ten weeks between the
show and our print report, you can now log onto AVguide.com and see daily updates
from our editorial team of interesting new products and great-sounding systems. Our
first effort in that direction is our report from last October's Rocky Mountain Audio
Fest. If you can't wait for our print report in the next issue, check out our coverage at
AVguide.com. You can even post comments and questions about specific products right
in our reports, and get answers from our editorial team.
We'll be posting our coverage of the upcoming Consumer Electronics Show on
AVguide.com starting January 9, 2007. Of course, we'll still bring you a
comprehensive print report, which will appear in Issue 171. Until then, see you on the Web.