Art Audio Vinyl Reference
Lions and tigers and bears,
oh my!
Or can tubes, FETs, and transformers
mate well?
Review By Steven R. Rochlin
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here to e-mail reviewer.
In this
world of high-resolution digital audio format wars there is one constant.
The desire by music lovers
to continue enhancing their music reproduction system no matter what the
format. With
the apparent never-ending battle between Sony's proprietary SACD format
and the chosen standard DVD-Audio, we now add to the mix formats such as
DualDisc with talks of Blu-ray and other disc formats. Why
do music lovers still cherish vinyl when digital disc formats are
easier to store, equipment setup in easy as is maintenance, and playback
is a no-brainer? Because it's the music...!
Construction
Like all Art Audio products, solid engineering takes
charge as is evident within the Vinyl Reference. Manufacturer Joe Fratus
has chosen K & K Audio to design and manufacture this unit as quality
was of paramount importance.
The black power supply cabinet to the left houses a pair
of large Lundahl transformers. This housing structure reduces interference
from the power supply from reacting with the delicate analog stage. In
fact there are no less than six Lundahl transformers with a pair employed
for line output coupling (top right) and another pair for the moving coil
input (bottom right). Signal capacitors from Aeon, Cardas, and Kimber were
hand chosen for sound quality. A pair of Russian-made Svetlana 6N1P triode
tubes is augmented by solid-state FETs to insure low noise and high
gain for the input stage. Meanwhile the output stage uses another pair of
tubes, though this time joined by MOSFET/transformer coupling. There is no
'global' negative feedback within the circuitry. Before i forget to
mention, the power feeding each vacuum tube filament is carefully
regulated to insure optimal performance. The critical RIAA equalization is
done passively.
The front panel offers a simple On/Off switch to the right
and a polarity/mute switch to the left. The left switch allows for polarity
reversal and also muting, which i found especially useful when changing
records so as not to have a loud thump go through my system during record
changing. Appearing on the rear panel from left to right are power, XLR
pin 1 ground switch, balanced (XLR) and single ended (RCA) outputs,
an XLR/RCA output switch, a pair of MM and MC RCA inputs plus a grounding
terminal. There is also a six-position loading switch (seen above) for various MM and
MC loading configurations.
Fit and finish was as one expects with Art Audio. Solid
and practical. While the unit does not have super ultra-fi thick panels
all around, the front panel is very sturdy and solid. Inside the cabinet
you will find anti-resonant sheets, reducing unwanted vibrations from
reaching the critical electronics. The mirror-like front panel looks magnificent
while the wood knobs give an air of elegance. Circuit and construction
techniques are that of solidity and reliability.
My listening notes are the result of two front ends within
two systems. The main rig contains the Voyd turntable with Audio Note
silver-wired tonearm and Clearaudio Insider Reference wood body MC
cartridge. The second system contains the Acoustic Solid Small Royal
turntable, Rega RB250 tonearm and Linn Adikt MM cartridge (as
reviewed within the Enjoy the Music.com™
Review Magazine). This way i was able to ascertain the sound of both
the MC and MM stage. Music included various vinyl from Acoustic Sounds,
Mobile Fidelity, Reference Recordings, a few direct-to-disc titles,
various test pressings, and many others. Basically, i enjoy music on both
analog and digital formats for over eight hours a day. Then add up all the
hours since Art Audio's Vinyl Reference has been here for approximately
three months.
The Sound
Art Audio products appear to share a 'family sound' as it were. Those
of you desiring tube lushness or rose-colored glasses to the music should
look elsewhere. The classic Western Electric 300B sound with luscious
midrange, yet slightly recessed highs and lacking deep bass is not
what Art Audio strives for. If your preferences are such distortions to
the music then you would be best served elsewhere. To my ears within my systems, Art Audio offers accuracy and
smoothness. The lowermost frequencies have authority with all range
accuracy and upper frequencies are clean without sounding overly
analytical. My review many years ago of the Diavolo and also hearing their
products at various shows worldwide only confirm my judgments.
Minimal mic'ed acoustic orchestra had a wonderful presence, with power
and majesty if it is within the recording. If the vinyl contains blissful
microdynamics and softer shades, then this is what was brought forth
through my system. Harmonically, the Art Audio Vinyl Reference portrayed
massed strings and wind instruments with naturalness. All the many layers
to the music were there for my musical enjoyment.
Techno/electronica music was fast and clean, with deep bass notes that
came and went with incredible speed. Perhaps not the very last word in
bass definition as offered by the super exotica $30,000 Loth-X's Silbatone C-102
preamplifer, yet the Art Audio came very close at less than 1/7th
the price! Then again the Silbatone is also a line stage so do the final
math accordingly. No matter as this also proves the high value of the
Vinyl Reference. If you enjoy rockin', the Art Audio may be just the
ticket to your very own jam session.
Imaging and soundscaping was top notch. Width expanded beyond the
loudspeaker positioning while depth was outstanding. Expansion into the
listening room was truly impressive, equaling the best i have heard to
date! This is no easy feat and goes to show that within the right system,
room, and acoustic environment so amazing feats can be achieved (given the
right setup of course).
Resolution was exceptional! Need i say more?
Comparisons
Over the years i have also reviewed the $7,300 Manley
Labs Steelhead MM/MC and the $3,700 (UM2 battery box adds $450) Final
Labs Music 4 MC phonostages. Within the Manley Labs' Steelhead
review i wrote "...the recently reviewed Final Labs Music 4 phono
stage comes very close to that of the Steelhead, yet at a saving of
over $3,000. Of course the Steelhead provides MM and MC while the Final
Labs is generally for MC only. Furthermore, the Steelhead has more speed
than the Music 4 and also infinitely more adjustments as well. Is this
worth almost double the costs of the Music 4? In the end it is up to you
to decide." So now comes the job of adding in comments regarding the
Art Audio Vinyl Reference.
The Vinyl Reference has more adjustments than the Final Labs, yet less
than the Manley labs Steelhead. As for pricing, it is $4,000 versus $4,150
versus $7,300 (Vinyl Reference, Music 4, and Steelhead respectively). i
will not keep you guessing or hide behind vagueness, the Manley Labs
Steelhead is still the king, as it should be given the nearly 2x the
price. The sheer usability and array of loading and gain choices is
staggering. Still, once you find the correct setting for your favorite
cartridge, all the other choices become moot.
The Art Audio offers a very good range of loading choices and the gain
is appropriate. During usage i never felt the need for some 'tween setting
with the Clearaudio Insider Reference (wood body) MC or Linn Adikt MM
cartridges. My aural memory firmly places the Manley and Art Audio above
the Final Labs for speed and accuracy. Both also offer impressive imaging
and top-to-bottom frequency response. Only the $30,000 Silbatone gives you
more, though this is the price one may pay when you reach the 'law of
diminishing returns.' My best advice would be to audition the Art Audio
Vinyl Reference and Manley Labs Steelhead and decide for yourself. Adding
another complexity is that tube rollers can enjoy both units with various
NOS and new production tubes. This may only further complicate the final
outcome. No one ever said that being a tweak audiophile would be easy, now
did they?
Conclusion
Art Audio has once again manufactured a product worthy of the company's
reputation. Solid build quality, reliability, and producing excellent
sound quality at a (relatively) affordable price. Their no nonsense
approach is refreshing, with only minimal yet necessary loading choices.
Add to this a 'bonus' of balanced (XLR) or single ended (RCA) output and
we have winner. At under $4,000 i have not heard another MM/MC phono stage
that comes close to offering what Art Audio has achieved. And this, my
friends, is an excellent achievement. Of course in the end what really
matters is that you...
Enjoy the Music,
Steven R. Rochlin
Specifications
Type: Stereo moving magnet (MM) and moving coil (MC)
hybrid phono stage
Inputs: One each MM and MC
Gain: MM input 43dB / MC input 63dB. Other gain structures
available by special order
Impedance Loading:
MM 47Kohms or 47kOhms in parallel with 220pF
MC 100ohms, 300ohms, 1Kohms or 47kOhms
Output Impedance: 200ohms
Frequency Response: 20Hz to 20kHz (less than 0.5dB
deviation from RIAA curve)
Tube complement: four Svetlana Electron Devices 6N1P triodes
Dimensions: 18.125 x 13.5 x 4 (WxDxH in inches)
Weight: 21 lbs.
Price: 3,995
Company Information
Art Audio
34 Briarwood Road
Cranston, Rhode Island 02920
Voice: (401) 826-8286
E-mail: vze572mh@verizon.net
Website: www.artaudio.com