Turntable Lab: 10 Questions For Peter Hahn
If you shop for records, DJ equipment, HiFi equipment, or turntable accessories online, you've probably spent some time on the Turntable Lab website. After more than 20 years, the online retailer has a global customer base who love their selection of products, and value their expertise and customer service. As a customer, I've always been drawn to their music section that offers records you don't often see for sale on sites like Music Direct or Acoustic Sounds.
Turntable Lab's Peter Hahn explains how the company started and offers up some thoughts on the future of vinyl.
How did you get started and why?
I was a working DJ in college (NYU, 1990s) and kept having to buy mixers, Stanton styluses and replacement parts down on Canal Street. Coming armed with price research and entering into intense haggling, I still ended up paying over the MSRP.
After a while, I was the go-to help for other DJs who wanted to buy gear down there. I thought there had to be a better way to buy gear, so two of my college friends and I launched TurntableLab.com in my college apartment. We were one of the first DJ stores online and rode the early boom in turntablism (e.g.. Invisibl Skratch Piklz, X-ecutioners, DMC Battles).
What were some of the biggest challenges starting and how did you overcome them?
We started the business when we were 21. Learning everything from scratch while bootstrapped has basically been our MO. Our first large order, which we celebrated, was fraudulent. We were calculating price margins wrong for the first couple of weeks. We had to break into the well-established network of pro audio, then HiFi. Our biggest challenge, however, has been riding the huge market swings over the past 2 decades.
We're definitely in an excellent moment for vinyl right now, but we've seen some dark days like CD supremacy, the introduction of Serato, opening a bi-coastal store at the start of the financial crisis, etc. Having to navigate those eras without macro know-how was extremely stressful and scary.
Who is your typical customer?
Judging by the type of records (emo-pop to esoteric) we sell and the price range of our turntables ($99 to $2500), it's all over the place. However, we have an idea of the typical "Labhead" that helps guide us. A Labhead has been following us for over 10 years; has DJ'ed at one point (or still does); and collects multiple genres of records. I know a bunch of people who fit this profile and have been shopping with us close to 20 years.
Turntable Lab Staff
How has Turntable Lab navigated the pandemic and what changes did you have to make in order to both navigate all of the rules in Brooklyn and keep up with demand?
All those challenges I mentioned before prepared us the pandemic. I feel like in difficult business situations, it's inaction that will kill you. We took definitive action like closing the storefront early; creating and enforcing a safe workplace, and upgrading our fulfillment to meet demand. Since the pandemic started, we've doubled our warehouse space and doubled our shipping department. Luckily, we're located in the business-friendly Brooklyn Navy Yard. They've been excellent in terms of balancing safety and productivity.
What are some of your favorite products and why?
Here are the items I'm happiest to offer to customers:
Technics SL-1200MK7 ($999.99)
Pro-Ject: Debut Carbon Evo ($599)
Clearaudio Concept ($1800)
Ortofon 2M Blue Phono Cartridge
Ortofon 2M Blue ($239)
What do you use in your own system at home?
I have a Technics SL-1200MK2, NAD integrated, Amphion speakers, and Line Phono Stand. I use a REVO Supersystem for listening to internet radio. Teenage Engineering OB-4 for portable listening.
Does it surprise you that vinyl has not only come back but become the #1 physical format again?
No. I was a hyper-consumer for most of my life. It's part of reason I came to live in New York. In the last 5 years, I started to notice that there was less to buy for collectors like me. Bookstores were closing, toy quality was going in reverse, clothing / sneakers were pricing out. Over the last 5 years, vinyl has for the most part increased in quality while remaining relatively affordable. There's more pressing plants doing better work.
Labels are putting a lot of effort into packaging. Record stores are presenting the product better. Instagram is an excellent discovery tool. Discogs creates a fun, efficient market. Used record stores add the x-factor. Even colored vinyl, which was too soft / quiet pre-2010, is now very listenable.
Why do you prefer listening to records?
30% = Listen to the entire album. 40% = Album artwork, linear notes, credits, label. 20% record shopping.5% time/memory stamp.5% ASMR.
What is the most rewarding part of the job for you?
A couple things. Now that I stopped collecting, I like to live vicariously through super-fans and collectors. For example, I tracked down the band TV Girl to do an exclusive run of their self-released album 'French Exit,' which was highly in-demand by fans. It was so cool to work directly with the artist and then seeing all our customers' reaction on Instagram when they received the record.
Seeing how our team came together during this pandemic has been inspiring. There was a lot of uncertainty in the early days of the pandemic, and our warehouse crew stepped up immediately.
Lastly, running the business with one of my best friends has been especially fulfilling. After a whole work week together, we'll still meet up on a weekend with our kids.
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