FiiO R7 Music Server / Streamer / Headphone Amplifier Review
For quite some time now I have been using my FiiO M11 as my music server for burning in products and more recently since I changed computers, for running my reference system as my tube amp picks up noise from the computer's USB out. The drawback of this is the M11 is not a desktop device so it doesn't have a direct power-in (meaning I can either use the single USB port to charge or drive my DAC, but not both at the same time), and it is not fully ergonomic for desktop use.
Enter the new FiiO R7, a fully functional streaming music server that can run on either AC or DC, has two USB ports (so I can connect to my hard drives and DAC at the same time), its own ES9068AS DAC built in, connected to two THX AAA 788+ Headphone Amplifiers for both single-ended and balanced output either to headphones or via the preamp outputs (both single-ended and balanced) to an external amplifier / speaker system, as well as Bluetooth wireless in and out, and Wi-Fi, it is the solution to all of your home audio needs. Add to this FiiO's forthcoming SP3 amplified speakers and you have a full compact music system that can fit on your desk.
Versatility appears to be FiiO's primary focus aside from basic performance in the design of the R7, their list of features is as follows:
A full range of inputs and outputs to cover any use case including balanced and single-ended outputs for both preamp and headphone (which features 1/4″ TRS single-ended, 4.4mm TRRRS balanced, and 4-pin XLR balanced headphone outputs), as well as, USB Type A, USB Type C, Optical & Coaxial S/PDIF in and out, Bluetooth in and out, Wi-Fi, Ethernet, and even an SD Card slot on the digital end.
Four output modes (Headphone Only, Preamp Out Only – adjustable volume, Line Out Only – fixed volume, Headphone and Preamp Out – adjustable volume) .
Eight Operating Modes (Android Mode, Pure Music Mode, USB DAC Mode, Bluetooth Receiver Mode, AirPlay Receiver Mode, Roon Ready Mode, Coaxial / Optical Decoding Mode)
Bluetooth 5.0; supports reception of SBC / AAC / LDAC; supports transmission of SBC / AAC / aptX / aptX HD / LDAC / LHDC
ES9068AS DAC in conjunction with a pair of THX AAA 788+ headphone amplifiers
4th-gen FPGA with phase-locked loop clock tech+2 femtosecond crystal oscillators
Five gain levels (low/medium/high/over-ear headphone/enhanced over-ear headphone) with 3.6W power output
Premium components and DC/AC dual power supply design
Power stabilization and filtering in part due to each stage of the audio circuit employing ultra-low-noise LDOs for voltage regulation
Portrait media streaming
Customizable RGB lights and personalized screensaver
Exclusive DP mode – Allows for connection to an external display
Compatible with Bluetooth remotes and keyboards
The FiiO R7 also comes with a host of accessories:
Power cord, USB data cable, a flat base, an angled base, quick start guide, two dustproof plugs, double-sided tape for base, warranty card, microSD card holder, fuse, and 6.35mm headphone adapter.
Living With The FiiO R7 Music Server /
Streamer / Headphone Amplifier
My first serious listening of the R7 was as a music server for my Westone Audio MACH series review for which it served spectacularly (my new computer sends a noise over the USB that is picked up by my reference tube amplifier) whether connected via S/PDIF or USB. Up to this point, I have been using my FiiO M11 DAP for this purpose which has the drawback of only one USB port so I can either charge or play but not both simultaneously, needless to say from now on the R7 will act as my signal source as it works better than my computer for said purpose.
As a music server, the R7 is ideal, the FiiO Music App is simple and intuitive, and for those who want remote control with streaming integration, it is Roon Ready. While the display is not tablet-sized, it is as large as any I have seen on any music server (all of which cost exponentially more) equipped with one, and a larger screen can be attached via USB. The only missing component is the Remote Control which I presume FiiO will release at some future date along with the matching speakers.
Since I burned it in with the FH9s I figured that was as good a start as any for my listening tests. Pulling up " (24-bit/48kHz – Qobuz) on Qobuz the sound was dynamic and exciting, yet musical without any harshness. The transient response was epic, and the soundstage was huge.
To get a better sense of the timbre and tonal balance I switched over to " by Francesco Tristano Schlimé, LéoMargue, and the Bach Stage Ensemble. Once again the hall was very live and the performance spritely and dynamic, yet above all musical and not fatiguing. The timbre of the instruments was natural and well-balanced.
My next step was to switch to my Dan Clark Audio EXPANSE Open Back Planar Headphones to listen to Jacob Collier's cover of "Moon River" ("Djesse Vol. 2" – 24-bit/96kHz – Qobuz) an artist I was introduced to at FLAX 2023 and was happy to find that I could drive them to an acceptable level in low gain. High gain (which is really the median gain setting) gave the comfortable headroom to bring out the full dynamics of the THX AAA amplifier and offered a slightly smoother performance when pushed. Once again there was a great feeling of space and the imagining was wonderful.
To check DSD performance I selected "Peel The Paint" by Gentle Giant ("Three Friends" – DSD64), dynamic and musical with that slightly analog feel you get with DSD. The bass was strong and the vocals realistic.
While the FiiO R7 appeared to be able to push my HiFiMAN HE6se Planar Open Back Headphones with no problem in high gain, I decided it would be best to test them in the ultra-high gain mode as these are my hardest-to-drive headphones. Taking this opportunity to test the bottom end I selected my sub-bass test track "Can-utility And TheCoastliners" (DSD) by Genesis from their " album. The sub-bass was strong and well controlled though the R7 did lean a little into the HE6se's extreme high-end reproduction causing me to turn the volume down a touch, as this is an extremely dynamic song probably for the best. The detail was excellent, Peter's vocal was up front and personal while the band was in an expansive soundstage.
Switching to a headphone more in the price range of the FiiO R7, my HiFiMAN DEVA Pro Planar Open Back Headphones to test the proprietary lossy MQA format with Meiko's cover of "No Rain" ("Playing Favorites" – 24-bit/176.4kHz MQA) and true to form the soundstage was a large empty hall with the acoustic guitar, upright bass, and Meiko's vocal up close and personal. For comparison, I switched the DEVA Pro to Bluetooth using the HIFIMAN Bluemini R2R. While the Bluemini R2R was able to make up for the loss of resolution with musicality, there was no question that the wired performance was slightly superior.
As a final test I hooked up my Dan Clark Audio AEON Open Planar Magnetic Headphones to the single-ended output switched back to low gain and put on "No Sugar Tonight" (The Guess Who – " – DSD) and discovered quickly that since the best sound is around 100 on the volume control (it goes up to 120) that super High gain worked best in single-ended mode. Switching back to balanced it was definitely more musical in balanced which is an indication of how well the amps are matched.
Conclusions On The FiiO R7 Music Server /
Streamer / Headphone Amplifier
The only flaw I can see is that streaming is not integrated and requires running a separate app, but for those where that is an issue, they can always opt for using Roon. As stated above, it will now be a permanent part of my reference system going forward, and that is about as high praise as I can give.
As to versatility, I cannot think of a use case it does not have incorporated, but I suspect it will be used mostly for its primary design use which is as a compact desktop music player, though I do look forward to the release of the matching speakers at which time I will probably do a follow-up review as a complete compact sound system.
Congratulations FiiO, I can easily say that this is my favorite product you have produced so far, two thumbs up.