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The Big AXPONA 2024 Show Report
1628 – AXISS Audio – Minor
Room
System Details: Soulution 360 DAC - $24,975 - NEW! Transrotor Bellini TMD Turntable - $6,495 – NEW! Transrotor Studio 9" Tonearm - $5,595 – NEW! Transrotor MC Tamino MC Phono Cartridge - $18,975.00 Soulution 312 Power Amplifier - $28,975 – NEW! Gauder Akustik Capello 100 - $25,975 - NEW! Nihon Onkyo Engineering AGS MN1 – Floor Bounce Diffusors - $1,095 Tara Labs The Muse 1M AES/XLR - $5,800 Tara Labs The Muse 1M RCA/XLR Interconnects - $8,995 Tara Labs The Muse 8' Speaker Cables - $15,500 Tara Labs The Cobalt AC 6' - $5,000
I didn't spend an inordinate amount of time in this room, but I was moved by the remarkably fine sense of dimensionality balanced with the naturalness and presence I heard with everything I listened to while I was in the room.
1632 – AXISS Audio – Main Room
System Details: Transrotor Tourbillon Stand - $15,975 DS Audio Grandmaster EX Optical Cartridge - $22,500 Soulution 757 De-Empasis EQ Phonostage - $84,975 – NEW! Innuos Statement NG w/1 TB Music Server - $25,000 Soulution 760 Digital to Analog Converter - $79,975 Soulution 727 Preamp with Phono Module
- $89,950 – NEW! Soulution 511 Power Amplifier (as Monoblocks) - $41,975 Accuphase PS-1250 Clean Power Supply - $17,575 Beaudioful – (4 Shelf/Large/Studio Multiplex Finish) - $10,800 Nihon Onkyo Engineering AGS ST1 SFS Diffusors - $2,995/each - NEW! Nihon Onkyo Engineering AGS FS1 Floor Standing Diffusors - $4,695.00/Pair Nihon Onkyo Engineering AGS MN1 - $1,095/each Echole Infinity AC Calbes 6' - $24,500/each Echole Infinity Interconnects - 3' - $28,500/each Echole Infinity - Speaker Cables -9' - $44,000/each
The LP playback here was sublime. Listening to Jeff Buckley's take on Leonard Cohen's "Hallelujah," from his 1994 breakthrough record Grace was the perfect choice to show off what Ontario, Canada's Transrotor transcription system, fitted with Japan's DS Audio flagship Grand Master EX optical phono cartridge, driving the new reference Gauder Akustik DARC 250 Mk II loudspeakers, with this latest iteration of the Soulution 7 Series of electronics, launched just last May, could deliver. The result was both an intimate and immediate presentation, loaded with musical detail and a level of transparency to the source that was riveting.
1642 – American
Sound Of Canada
System Details: Rethm Saadhanna speakers - $23,000/pair All Transparent cables ~ $8,800
While I'm not typically a big fan of single-driver loudspeakers, the Rethm Saadhanna makes significant advances on that simpler model. Each enclosure features one of their single 7" wideband drivers up top, but adds four 8" bass drivers, configured in two isobaric pairs, in a separate enclosure below. Those woofers are driven by an internal 400-Watt (@ 8 Ohms) Hypex UCD digital amplifier. A deucedly clever choice, if you ask me. Isobaric loading first became popular in the 1970's, and it would seem that the method is making a comeback of late. Everything I listened to here exhibited openness, space, and to-die-for texture while featuring an exceptional balance of detail with body.
1643 – Bob
Carver Audio
System Details: Eversold DMP A8 DAC/Streamer/Preamp – $1,999 Sublime K235 Crossover - $899.95 Elac Sub 3070 Adante Subwoofer - $2,499
The Reference Amplifier Model RAM 285 is the latest and most advanced legacy design from Bob, and uses one 12AX7, two 12AT7, and two 6AL5 tubes (for the DC Restorer circuit) in the preamp section, while four matched KT-120s deliver 85 Watts per channel into an 8 Ohm load. It features the latest iteration of his DC Restorer circuit, used to prevent the DC bias from sagging under highly dynamic loads. This circuit not only allows for the delivery of a more dynamic performance, but it does so by using a lower idle current and producing lower heat output, which helps to extend tube life considerably. All this and a five-year warranty, too! Music played here was surprisingly transparent and resolving with no edge or glare, offering exceptional body, with just a bit of limitation to dimensionality – which – more than likely may have been room-related. Overall, this system was very neutral and natural. I was very impressed by how effectively that explosive "P" sound in the mentioned Dire Strait's track "Fade to Black" loaded the room. Pretty impressive.
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