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The Big AXPONA 2024 Show Report
1504 – Magico
System Details: Magico MRACK4 - $45,300 Stromtank S 2500 power conditioner - $27,250 PSI Audio C214 active bass traps - $3950/each RealTraps Diffusers - various prices Vyda Laboratories cables - various prices
One of the first attributes to emerge here was how the music erupted from an exceptionally dense and dark background. Listening to Dire Straits here, Mark Knopfler's voice was so effortless and natural sounding, that I asked for more. Further, the Individuality of instrumental lines was remarkably well preserved, including presenting the entire tapestry of the recording resolutely and transparently. Overall, a very exceptional and delicate balance.
1506 – Perfect8 Labs
System Details:
This system really delivered – and in just about every category. Jonas played some Rammstein for me and it was like we were at a Rave. The system, with its omni-polar radiation pattern, delivered exceptional dynamics and superb extension while presenting remarkable musical resolution, with captivating presence and an unquestionably truthful timbre.
Moving to some classical piano, the tonal color and texture were convincingly rich and vibrant, and musical involvement was eerily honest, bordering on downright revelatory. The ability it had to render piano was wonderful, from its shimmer and sparkle to its body and texture. Jonas and I have been talking about a review sometime after Munich.
Club Lounge – Bending Wave USA, Riviera
Labs, And WADAX
This is one diverse international assemblage of gear, leveraging the digital front-end prowess of WADAX of Spain/Switzerland, electronics from Riviera Labs of Italy, Germany's Göbel Loudspeakers, the Massif Audio Designed racks of Ontario, Canada, and using all Nordost cables from the USA.
System Details: WADAX Alaska Optical System - $20,400 Riviera Audio Labs APL01 Special Edition Preamp - $46,995 Riviera Audio Labs AFM-100 SE Class A Mono Amps - $82,800/pair Göbel Divin Noblesse Speakers - $250,000/pair Massif Audio Design Dogma Amplifier Stand - $800/each Massif Audio Design Carbide Audio Isolation Footers - $400/each Göbel Lacorde Statement Speaker Jumper cables - $2,450/pair Göbel Lacorde Statement Speaker Cables - 3.0 meter - $27,900/pair Göbel Lacorde Statement Power Cords - 2m - $9,900/each WADAX Akasa DC Reference Cable 1.5m - $24,900/each WADAX Atlantis Reference Power Supply for Server - $52,700 Nordost Q base Reference Power Distribution - $18,000 Nordost QCore 1 Grounding Box - $3,000
Everything Elliot played while I was sitting in a prime seat was presented with such an engaging sense of ease and effortlessness. Imaging and soundstaging were spectacular, better than I can ever recall experiencing from any previous demonstration of the Divin Noblesse Speakers. Finally, the extension at both extremes was quite remarkable, including the precision of its pitch definition as it descended into subsonic territory. Just an amazing sounding room.
1544 – Constellation And Marten
System Details: Esoteric K1 X SE SACD Player/DAC - $38,000 Marten Parker Trio Diamond Speakers (starting at) - $39,995 Marten Parker Duo Speakers (starting at) - $13,495 Marten Parker Duo Stands - $3,895 Constellation Audio Pictor Preamp & DC Filter -$32,500 Constellation Audio Taurus Mono Power Amps - $58,000/pair Jorma Design Filter Reference Power Center - $21,999 Jorma Design Statement Speaker Cable - starting at $17,999 Jorma Design Statement Balanced Interconnects - starting at $13,999 Jorma Design Ethernet Reference Cable - starting at $1,899 Jorma Design USB Reference Cable - starting at $3,399 Jorma Statement, Prime and Origo Power Cords – pricing not given
Listening to the "Stravinsky Suites," from SACD on the Esoteric K1 X SE, not over streaming, as played by the Deutsche Kammerphilharmonie Bremen under Paavo Järvi, from the 2004 PentaTone release was an absolute treat. The finely tendered detail and the honest tonality were striking. Moving on to Roy Gaines's take on "Stormy Monday" revealed just how correct this system was able to render the dynamics and tonality of the horns and guitar. This system's established faithful tonality was reinforced when moving to "Dance of the Tumblers," excerpted from Act III of Rimsky-Korsakov opera The Snow Maiden, as performed by the Minnesota Orchestra under Eiji Oue, as the sense of delicacy, combined with its powerful dynamics to present the authenticity of the "blat" of horns, was sheer magic.
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