Home  High-End Audio Reviews  |  Audiophile Show Reports  |  Partner Mags  Hi-Fi / Music News

  High-End High-Performance Audiophile Review Magazine & Hi-Fi Audio Equipment Reviews

  High-Performance Audio Reviews
  Music News, Show Reports, And More!

  Celebrating 29 Years Of Service To Music Lovers

 

 

 

AXPONA 2022 Show Report By Enjoy the Music.com

 

Rick Becker's AXPONA 2022 Chronicles
Rick Gives The 14th Floor A Good Listen At AXPONA 2022.
AXPONA 2022 Show Report By Rick Becker

 

 

  Bryston showed off their new BR-20 preamplifier/DAC/streamer ($5995), the ‘BR' being a tribute to Brian Russell, leader of the company until his passing about a year ago. It includes a built-in high-rez DAC and streamer as well as a headphone amp. A MM phono stage is optional. It is shown in silver below the Dr. Feikert Blackbird turntable with Kuzma Stogi 12" tonearm ($11.5k for both) above it. A Bryston 4Bcubed amp ($6795) sat below. The floorstanding speakers were from Egglestonworks, Oso model in light metallic birch ($12k).

A second system sat to the right with a HiFi Rose streamer/DAC ($5k) on the top shelf. Rogue RP7 preamp ($5k) and Stereo 100 ‘Dark' ($5k) provided amplification for smaller Egglestonworks Nico monitors ($5k w/stands) which were off to the side when I visited. A Bryston BIT 20 power conditioner ($4300) was a piece I had not noticed in previous shows. BIT stands for "Bryston Isolation Transformer" and model 20 is the middle size in the series. The cabling in this room was from StraightWire. I thought the Eggleston speaker was quite handsome and the music was certainly good here.

 

 

 

Eikon had a two-room suite with several models on silent display while they featured an active display with an Aurender N20 server and Qobuz streaming service in the other room. With Eikon, everything else is built into their box and speakers making for a very elegant looking high-quality music experience. It also gets tuned to the room with built-in software. Like Devialet, this minimalist approach should have very high spousal approval. And yes, it worked perfectly fine spaced close to the wall.

Bass with this smaller model speaker was not thunderous, but they have a larger model that will play thunder for those who need it. Eikon is more concerned with achieving proper phase than frequency response because they feel this is more critical for music to sound authentic.

 

 

 

 

The Marantz room was a place where my wallet could relax and I could enjoy the music. It played through their new 40n integrated amp (in black) ($2500) that I saw in Montreal. Unfortunately, it is completely sold out. Along with their TT 15S1 turntable ($1800) on the top shelf was an SACD 30n Network SACD player ($3k) in silver down below. I'm liking the style of this new series, a lot. The speakers here were the Definitive Technology D17 ($3500), the flagship of their top Demand Series. This made for an under $11k system with vinyl, CD, SACD, and streaming capability, plus the cost of a rack and cables. Nonetheless, a tidy, rig for the money.

 

 

 

While the Orchestalls speakers ($32k) from KMD Engineering shown here may look totally unfamiliar to many, I see roots that go back to an American company that made dental equipment that made similar speakers with the drivers mounted in chrome balls. A Swiss company also comes to mind when looking at the two smaller models. And the Orchestalls are not all that different in concept from the more expensive models from Wilson Audio. The rig here was basic a preamp and power supply sitting on the floor with a tube power amp on the table above it. That table, by the way, had a top of highly compressed plywood — an effective solution.

To the right on top of the KMD cardboard box was a Yamaha CD player. The music was very transparent with high resolution as you might expect with each driver having their own private enclosure. The set-up in the room didn't seem to allow for a deep soundstage. From what I heard this speaker deserves further investigation with some better sources and a more spacious room.

The story goes deeper when I investigated this company from South Korea. They have two divisions. One either manufactures equipment for or operates an automated mushroom growing operation with highly automated equipment in temperature-controlled environments. The other division manufactures machinery for the manufacture and packaging of syringes. They must be doing well in this Age of Covid. I highly suspect the head man here is also an avid audiophile.

 

 

 

---> Next Page.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     
 

Quick Links


Premium Audio Review Magazine
High-End Audiophile Equipment Reviews

 

Equipment Review Archives
Turntables, Cartridges, Etc
Digital Source
Do It Yourself (DIY)
Preamplifiers
Amplifiers
Cables, Wires, Etc
Loudspeakers/ Monitors
Headphones, IEMs, Tweaks, Etc
Superior Audio Gear Reviews

 

 


Show Reports
Capital Audiofest 2024
Toronto Audiofest 2024
UK Audio Show 2024
Pacific Audio Fest 2024
HIGH END Munich 2024
AXPONA 2024 Show Report
Montreal Audiofest 2024 Report

Southwest Audio Fest 2024
Florida Intl. Audio Expo 2024
Capital Audiofest 2023 Report
Toronto Audiofest 2023 Report
...More Show Reports

 

Videos
Our Featured Videos

 


Industry & Music News

High-Performance Audio & Music News

 

Partner Print Magazines
audioXpress
Australian Hi-Fi Magazine
hi-fi+ Magazine
Sound Practices
VALVE Magazine

 

For The Press & Industry
About Us
Press Releases
Official Site Graphics

 

 

 

   

 

Home  |  High-End Audio Reviews  |  Audiophile Show Reports  Hi-Fi / Music News  About Us  |  Contact Us

 

 

All contents copyright©  1995 - 2024  Enjoy the Music.com®
May not be copied or reproduced without permission.  All rights reserved.