Human Hearing: Scientists Are Growing Sound-Sensing Cells It has been reported by
Live Science that "Scientists have coaxed sound-sensing cells in the ear, called 'hair cells,' to grow from stem cells. This technique, if perfected with human cells, could help halt or reverse the most common form of hearing loss, according to a new study. These delicate hair cells can be damaged by excessive noise, ear infections, certain medicines or the natural process of aging. Human hair cells do not naturally regenerate; so as they die, hearing declines. More than 20 million Americans have significant hearing loss resulting from the death or injury of these sensory hair cells, accounting for about 90 percent of hearing loss in the United States, according to the Centers for Disease Control and Prevention. In the new study, scientists at Harvard University and the Massachusetts Institute of Technology reported that they isolated stem cells from a mouse ear, discovered how to get them to multiply in a laboratory setting, and then converted them into hair cells. Their previous efforts, in 2013, produced only 200 hair cells. With a new technique, however, the research team has increased this number to 11,500 hair cells that were grown from one mouse
ear.... Hair cells grow in bundles in the inner ear, and are so named because they look like hairs. Many hair cells within the ear are involved in balance, not hearing. But in the cochlea, the hearing organ deep in the ear canal, there are two kinds of specialized hair cells: outer hair cells, which amplify pitch and enable humans to discern subtle differences in sound; and inner hair cells, which convert sound into electrical signals sent to the brain. Humans have two cochleae (one in each ear), and each has only about 16,000 hair
cells.... The new research was done by a team led by Albert Edge, director of the Tillotson Cell Biology Unit at the Massachusetts Eye and Ear Infirmary and professor of otolaryngology at Harvard Medical School in Boston."
02 / 23 / 17
The Chord Company Launches New Range Of Sarum T
Audiophile Cables Benefiting
from The Chord Company's proprietary Taylon insulation, which to date has been the preserve of its flagship ChordMusic range, their new Sarum T range of cables builds on the success of the acclaimed Sarum Super ARAY range. Sarum T cables bring Taylon the benefits of The Chord Company's proprietary dielectric to a new, more accessible price level. Previous generations of Sarum Super ARAY cables have featured a PTFE dielectric.
According to The Chord Company, "Taylon is a revolutionary insulation material unique to The Chord Company. It originates from the most demanding military applications where highly advanced communication cables, both in space and on the ground, must offer predictable performance, regardless of environmental conditions. Taylon is phase-stable at typical room temperatures and its implementation within audio cables preserves the critical timing information within music." Sarum T also benefits from The Chord Company's Super ARAY mechanical
optimization, factory terminations and hand-made construction. Existing Sarum customers can upgrade to the new Sarum T standard with a factory rebuild service, costing around 40% of Sarum T's sale price (excludes speaker cables). Custom lengths can be made to order. Price, configurations and availability is as follows:
Sarum T Analogue (interconnects): RCA, XLR and DIN from £2,100 p/m
Sarum T Digital (interconnects): S/PDIF, AES/EBU and BNC from £2,100 p/m
Sarum T Speaker Cable: Bananas and spades from £1,800 (for a 1.5m pair)
Sarum T Power Cable: Schuko, UK, US, 16A and 20A from £1,900 p/m
02 / 22 / 17
Bryston BDP-3 New 32-bit/384kHz And DSD Digital Music Player Bryston
has announced the introduction of the BDP-3 digital music player ($3495), the company's reference quality entertainment hub capable of reading virtually all digital file formats and resolutions including DSD 128 and high-resolution PCM up to 32-bit/384kHz files. BDP-3 users can connect to digital music libraries stored on external drives such as NAS or USB to access a nearly limitless archive of digital content, enjoy their favorite Internet radio stations as well as lossless TIDAL streaming. The BDP-3 offers several critical enhancements over previous Bryston models, such as a fast and powerful Intel processor along with 8GB of RAM. Bryston's BDP-3 boasts three USB 3.0 ports and five USB 2.0 ports on two separate USB buses, which Bryston says this configuration "dramatically improving disk performance when using USB 3.0 attached drives, while also making the new player compatible with more digital to analog converter (DAC) options than ever before, including those platforms using the Streamlength protocol". Users will enjoy the benefits of Bryston's proprietary, Integrated Audio Device (IAD) in place of traditional third party sound cards. Jitter specs are so low, they are barely detectable by even the most sophisticated measurement devices. And yes, Bryston's BDP-3 is 'Roon Ready'.
Audio Hardware Sales Up 28% Says Futuresource Consulting According to
Futuresource Consulting, "Audio hardware continues to outpace the wider CE sector, with global Q4 sales growing 28% year-on-year to $10.2 billion, according to new data from Futuresource Consulting's quarterly audio tracking service. Smartphone uptake and the popularity of music streaming services continue to drive market growth, but this is being boosted by Amazon's Echo and Dot launching into more countries, the US launch of Google Home and widespread consumer adoption of wireless headphones.... The Futuresource audio tracking service also maps out vendor share. In the wireless speaker category, Amazon moved up from fifth position during Q1-Q3 2016 to become the number two brand in Q4 2016 for units shipped worldwide. The wireless speaker segment remains highly concentrated, with a few top audio brands accounting for nearly half of all unit sales. Despite strong overall performance from the sector, many sub-categories are beginning to shrink or slow down rapidly, placing some vendors in a precarious position. Hi-fi systems, loudspeakers, separates and soundbars are all among the losers in 2016, although audio growth elsewhere is eclipsing this downturn."
Channel Islands Audio PEQ-1 MKII MM/MC Phono Stage Preamplifier Channel Islands Audio
announcement of their long-awaited PEQ-1 MKII MM/MC phono stage preamplifier ($995) brings high-end audio sound to music lovers. The PEQ-1 is a versatile design said to offer outstanding performance with a wide variety of phono cartridge types. This new dual-mono design is aimed at music lovers seeking the utmost life-like performance from their vinyl collection. "Dynamic and detailed, yet smooth and rich, with soundstage and imaging to create realism rarely heard" says Channel Islands Audio. Key features include ultra-low noise, harmonic and intermodulation distortion (THD/IMD). A dual-mono design ensures very low channel crosstalk. By employing a heavy steel faraday cage around the internal circuitry, there's a high resistance to electromagnetic and radio frequency interference. For changing cartridge settings, rear panel DIP switches
make it for convenient and easy to configure and adjustment. Channel Islands Audio PEQ-1 MKII MM/MC phono stage preamplifier comes with a five year warranty and is handcrafted within
02 / 17 / 17
Pro-Ject's Limited Edition The Beatles 1964
Vinyl Record Player With only 2500 pieces worldwide,
Pro-Ject's new The Beatles 1964 record player (€650) will surely please fans of the fab four. "We are thrilled to announce that we will produce together six special edition turntables which will feature the greatest band of all time." With their
just-announced The Beatles 1964 turntable, Pro-Ject once again brings music to enthusiasts worldwide. Pro-Ject previously released their limited edition George Harrison record player and are now showing the world their second limited edition turntable. Pro-Ject says that this new turntable "features copies of original tickets and brochures from their legendary touring between 1962 and 1966 during which they captured the world's acclaim! The fab four have held 166 concerts in 15 different countries and 90 individual cities in only four years." Since this is a special version of Pro-Ject's Debut Carbon Esprit SB, it features high quality audiophile components such as an Ortofon 2M Red cartridge, an acrylic platter, a carbon tone-arm, a top notch MDF chassis, and built-in electronic speed control for easier switching between playback speeds. Of note is that Apple Corps Ltd. and Universal Music Group have released a new release that captures the joyous exuberance of the band's three sold-out concerts at Los Angeles' Hollywood Bowl in 1964 and 1965 on 180 gram heavy weight vinyl.
02 / 16 / 17
Universal Music Group Will Encode Their Music In MQA Format Universal Music Group
(UMG) has entered into a new agreement with MQA
(Master Quality Authenticated), which will see the major's extensive
catalog encoded with the tech company's hi-res audio technology. This new announcement is only a few weeks after Jay Z's streaming platform Tidal launched High-Res Audio streaming files encoded in MQA. The press releases says that, "The move highlights Universal's commitment to making its artists' music available to streaming subscribers in high-resolution audio quality. It also follows the recent cross-industry marketing campaign Stream The Studio, launched at the
2017 CES (Consumer Electronics Show) in Las Vegas, spearheaded by The DEG (Digital Entertainment Group), to raise awareness of the advantages of hi-res audio streaming." CEO of MQA, Mike Jbara,
said "We're very pleased to be working with Universal Music to achieve our goal of moving studio-quality sound into the mainstream. Universal's timeless catalogue and impressive artist roster will fuel music streaming services worldwide and enable the premium listening experience for all music fans." EVP of digital strategy at Universal Music Group added, "The promise of hi-res audio streaming is becoming a reality, with one service already in the market and several more committed to launching this year. With MQA, we are working with a partner whose technology is among the best solutions for streaming Hi-Res Audio, and one that doesn't ask music fans to compromise on sound quality for convenience. We're looking forward to working with Mike and his team at MQA to make our industry-leading roster of artists and recordings available to music fans in the highest quality possible."
Audio By Van Alstine Introduces
Their DVA 4/2 Power Amplifier The new
Audio by Van Alstine DVA 4/2 ($3399) is the company's newest addition to their DVA amplifier line. This flexible solid-state power amplifier can be used as a stereo amplifier delivering 450 Watts per channel or as a four channel amplifier delivering 125
Watts per channel. In stereo mode, it will drive any pair of speakers while the four channel mode is perfect for driving multiple speakers in a home theater system or a two-channel system with both channels being bi-amplified. Best of all, the amp can be changed from four to two channel mode by simply pressing a switch. Audio by Van Alstine's DVA 4/2 amplifier employs advanced solid-state design using actively regulated MOSFET outputs. Their output regulation technology is said to "let the circuit components work their best to deliver the clearest sound you are likely to hear anywhere" according to the company. Audio by Van Alstine's DVA 4/2 comes with a three year warranty.
Industry News 10 Years Ago
Steve Jobs Of Apple Asks To Open Digital Rights Management (DRM) Steve Jobs of Apple fame, makers of the incredibly popular iPod device, has published a letter on the company's website asking the music industry to "open the digital rights management (DRM) system that Apple uses to protect its music against theft, so that music purchased from iTunes can be played on digital devices purchased from other companies, and protected music purchased from other online music stores can play on iPods." While Apple's iTunes currently offer users to play their DRM protected music on up to five computers and on an unlimited number of iPods, Steve Jobs' concern is that when, not if, the DRM is hacked that iTunes will have to patch their entire online music service or they may find that content owners will
remove their content due to hacked DRM concerns. Recently, Norwegian regulators feel that the DRM scheme makes Apple's iTunes Store illegal and there has been speculation that Jobs' letter was in some ways a
response to this recent decision. As pointed within Job's letter, "Music purchased from Microsoft's Zune store will only play on Zune players; music purchased from Sony's Connect store will only play on Sony's players; and music purchased from Apple's iTunes store will only play on iPods. This is the current state of affairs in the industry, and customers are being well served with a continuing stream of innovative products and a wide variety of choices." And while Job's letter also mentions an alternative for Apple to license the FairPlay DRM technology as used in the iTunes store, this would "involve disclosing some of its secrets to many people in many companies, and history tells us that inevitably these secrets will leak. The Internet has made such leaks far more damaging, since a single leak can be spread worldwide in less than a minute." said Jobs. The Recording Industry Association of America (RIAA), the trade group that represents the U.S. recording industry, released a statement concerning Steve Jobs' recent letter and said "Apple's offer to license FairPlay to other technology companies is a welcome breakthrough and would be a real victory for fans, artists and labels. There have been many services seeking a license to the Apple DRM. This would enable the interoperability that we have been urging for a very long time." Of interesting note is that there may already be a crack for the Apple FairPlay DMR for those who do not already hold a
license key and this letter may be a precursor before it goes public. Steve Jobs admits that
"DRMs have not worked, and may never work, to halt music piracy. Though the big four music companies require that all their music sold online be protected with
DRMs, these same music companies continue to sell billions of CDs a year which contain completely unprotected music. That's right! No DRM system was ever developed for the
CD (that was not user-defeatable), so all the music distributed on CDs can be easily uploaded to the Internet, then (illegally) downloaded and played on any computer or player... Much of the concern over DRM systems has arisen in European countries. Perhaps those unhappy with the current situation should redirect their energies towards persuading the music companies to sell their music DRM-free. For Europeans, two and a half of the big four music companies are located right in their backyard. The largest, Universal, is 100 percent owned by Vivendi, a French company. EMI is a British company, and Sony BMG is 50 percent owned by Bertelsmann, a German company. Convincing them to license their music to Apple and others DRM-free will create a truly interoperable music marketplace. Apple will embrace this
wholeheartedly." Perhaps Steve Jobs has some clout as over 90 million
iPods and 2 billion songs from the iTunes store have been sold to date while
the music industry is currently selling over 90 percent of their music DRM-free
on physical formats (CD, HD DVD, etc.).
02 / 13 / 17
Grammy Charitable Auction On eBay To Benefit
MusiCares And Schools Grammy Charity Online Auctions — in celebration of the 59th Annual Grammy Awards — will offer more than 100 exclusive items, including an exclusive VIP experience, autographed memorabilia, and official signed Grammy merchandise. The lots are available for bid in three cycles now through Feb. 23 via. Featured items include tickets, meet & greet and sound check passes to a future Andy Grammer show plus signed merchandise VIP experiences at Coachella and Stagecoach. This is also your first opportunity to bid on tickets to the 60th Annual Grammy Awards in 2018. Items up for auction include guitars autographed by Kenny Chesney, DNCE, Bruno Mars, Paul Simon, Chris Stapleton, Panic! At The Disco's Brendon Urie, and more. There'a also music memorabilia autographed by Adele, Justin Bieber, Ariana Grande, Halsey, Rick Rubin, Linda Ronstadt, Troye Sivan, and many more. Proceeds from Grammy Charity Online Auctions provide essential support for the Grammy Foundation and MusiCares. Under the banner of Grammy in the Schools, the Grammy Foundation produces a range of distinct education programs across the country throughout the year that serve high school students and their schools, including Grammy Camp, Career Day, Camp Jazz Session, and Signature Schools. In addition, the Grammy Foundation and The Recording Academy have partnered to present an annual Music Educator Award to recognize the significant role of teachers in shaping their students' musical experiences. The
Grammy Foundation also offers preservation and advancement initiatives, fosters dialogue about compelling issues facing the music industry, supports projects that increase the understanding of music and its role in society, and raises public awareness about the urgent need to preserve our nation's recorded sound legacy. MusiCares ensures music people have a place to turn in times of financial, medical and personal need by providing programs and services, including emergency financial assistance, educational workshops, flu shots, hearing tests, and medical/dental screenings. The MusiCares MAP Fund allows access to addiction recovery treatment and sober living resources for members of the music community. The Safe Harbor Room program, weekly addiction support groups and the MusiCares Sober Touring Network provide ongoing recovery support.
Classé Sigma SSP MkII Dolby Atmos, DTS:X
And Upgraded HDMI The slim and elegant
Classé Sigma SSP ($6000) has been made even better by the addition of new audio DSP and HDMI hardware. The eight-channel Sigma SSP MkII supports Dolby and DTS 3D audio formats when configured as a 5.1.2 channel system and passes 4K UHD video at 60Hz with HDCP 2.2. A powerful new dual DSP module featuring a Texas Instruments 456 MHz DA830, a dual core floating-point audio processor with ARM9 and an audio-specific DA810 32-/64-bit floating point DSP provides the needed processing power to accurately decode the latest 3D audio formats and perform the many post-processing capabilities that set the Classé Sigma SSP MkII apart. An upgraded HDMI board adds HDMI 2.0 features like pass through of UHD video (4K @ 60Hz) and HDCP 2.2 compatibility for the best performance and added convenience when connecting to UHD sources and displays. Original version Sigma SSPs may be upgraded ($1000) to the new standard by installing a comprehensive hardware upgrade and updating the firmware.
02 / 08 / 17
Bowers & Wilkins DB1D, DB2D
And DB3D Powered Subwoofers The new
Bowers & Wilkins DB Series contain three subwoofers, the DB1D, DB2D and DB3D ($4500, $3500 and $2500 respectively), designed to deliver incredibly powerful, tight and agile bass. They are the most powerful active subwoofers Bowers & Wilkins has ever produced and feature the Aerofoil cone bass drivers used in flagship 800 Series Diamond. Comprising the flagship DB1D, mid-sized DB2D and compact DB3D, the range follows in the footsteps of their DB-1, yet incorporates new digital technology and materials advances from the award-winning 800 Series Diamond loudspeakers that includes Aerofoil cones. All three models include substantial amplification. Bowers & Wilkins' DB1D subwoofer features 2000 Watts of amplification plus dual-opposed drive units and very rigid cabinets. Aerofoil cones are light, ultra-stiff transducers that resist bending and flexing far longer than conventional cones. All three DB Series subwoofers deploy two bass cones arranged in an opposed, balanced configuration. Using this array greatly reduces cabinet vibration and ensures a cleaner, more precise sound. The result: fantastic, coloration-free bass. An all-new digital pre-amplifier enables the DB Series subwoofers to delivered sound at optimum levels. Unique Bowers & Wilkins developed DSP such as Dynamic EQ and Room EQ ensure precision performance in every space. Bowers & Wilkins' DB Series is simple to configure thanks to a dedicated mobile App. The App includes positioning guides, set-up and troubleshooting and can be used to provide control over both output and audio preset modes. The App is available for iOS and Android devices and no separate microphone kit required.
02 / 06 / 17
Press Release Audiophile Industry Applauds Enjoy
the Music.com's CES 2017 Coverage Enjoy the Music.com, in partnership with
sister site Enjoy the
Music.TV, receives an abundance of applause from the high-end
audio industry for our Press Center and live streaming coverage of
CES 2017. Our fourth annual CES live broadcast showcased many
professionals who enthusiastically educated our global audience about their
products within the audiophile community. All video segments are now available for
on-demand viewing to our worldwide audience. In addition to live broadcast video
highlights, we're once again at the forefront with the industry's only dedicated Press
Center for CES 2017. Enjoy the Music.com's CES 2017 videos
feature the best and brightest high-end audio experts, designers and engineers.
We know it can be challenging to find information about the latest and greatest technology breakthroughs,
so we help educate and
inform consumers about the many possibilities available today within the
marketplace. By shining a light on a wide variety of exquisite audio gear and
timely topics, we're working in concert with industry leaders to bring music lovers the most
up-to-date information concerning the best in home audio. As the only audiophile site
providing longstanding relationships with many of the best print publications, we also featured
editor of Hi-Fi+ magazine Alan Sircom with his brilliant CES 2017
the complete press release at this link.
Amphion Argon7LS Two-Way Floorstanding Loudspeaker Amphion's new Argon7LS floorstanding loudspeaker
(starting at €2250) is part of their Argon family of high-end home audio speakers. The newcomer will replace the Argon7L model, incorporating the passive radiator design which is already present in Argon3S and Argon3LS. Amphion says that the "passive radiator eliminates the known problems associated with reflex cabinets, where the correct signal is always followed by an unwanted tail. The new Argon7LS design creates a more natural energy transfer, providing the listener with an improved physical connection to the music, even on lower listening levels." As with all Amphion loudspeakers, their Argon7LS floorstander uses the company's signature approach to crossover design. The crossover is placed at 1600 Hz, which is located outside the most sensitive human hearing range, allowing the use of the tweeter in that area, where our hearing is most perceptive. This way the speakers perform more like a point-sources where the tweeter is housed in the moving waveguide. This design aid in producing an even dispersion to produce a room-wide sweet spot. Amphion's U/D/D, Uniformly Directive Diffusion, creates even dispersion and thus minimizes the anomalies caused by wall, floor and ceiling reflections. Amphion's new Argon7LS floorstanding loudspeaker two-way passive radiator design mates a 1" titanium tweeter with a pair of 6.5" aluminum midrange/bass drivers. Impedance is 4 Ohms and sensitivity
of 91dB/W/m. Overall frequency response is from 28Hz to 30kHz (+/-3dB). Recommended amplification power is from 15 to 150 Watts, cabinet dimensions are 1160 x 191 x 305 mm (HxWxD) and each one weighs 30 kgs. Basic finishes include standard white, full white, and black, with real wood veneer being walnut. Custom
cabinet finishes are available upon request at added cost.
02 / 04 / 17
Issue Features CES 2017 And Gear Reviews Enjoy the Music.com has just posted the
February 2017 issue of Hi-Fi+ magazine. This issue
features Hegel Music Systems RÖST, Boulder 865, Lavardin Model ISX, Roksan BLAK, Burmester 099, Cyrus One, PS Audio BHK 250, Onix DNA-50, Westone W80, Avantgarde Zero, Systemdek 3D, Markaudio-SOTA Tozi, AFI Flat, Clearer Audio Silver-Line Optimus Reference 75,
and Moon Audio Black Dragon Premium.
Within his editorial, Alan Sircom says "We arrive at CES each year armed with notepads and cameras, in the hope of finding those exciting new products. This year it was harder than most because those outside the audio industry were festooned with randomly interactive products that may or (probably) may not be the Next Big Thing, but for those in the audiophile community the big news was not something that comes with a photo opportunity.
As the show commenced, one of the hundreds of emails every hour that hit our respective in-boxes was the news that high resolution music streaming company TIDAL was to begin providing its service in the new MQA format. Aside from photographing a screen-shot, or maybe a glowing LED on a MQA-ready converter, there isn't much to illustrate this. But it might just be the most important news of the year."
See what's within this issue of Hi-Fi+
magazine at this
Industry News 10 Years Ago
Gracenote Launches New Data Management And Delivery Method Gracenote,
a leader in embedded technology including data services for digital
entertainment, announced a new data management and delivery method within its
service that resolves the decade-long struggle by classical music fans to view
accurate, complete and consistent classical music information on digital
devices. Gracenote worked closely with the classical music community to create this new standard, which has been endorsed by classical music experts, music labels, and several prestigious orchestras. Gracenotes Classical Music Initiative
(CMI) interfaces with most of the popular music management applications and devices designed primarily for use with pop music genres such as R&B, Rock and Country. This is usually the three-line displays that typically only show Album Title, Track Title and Recording Artist information when a song is played. Because classical music is more intricate than other
genres, Gracenote feels it is essential to display the Composer name in addition to Recording Artist when organizing classical music collections. Additionally, the Recording Artist is not typically just a single name, but is comprised of several independent parties, including the Conductor, Ensemble, and Soloist. Likewise, Track Title is not just the name of a song, but typically incorporates unique Work, Movement, and in some cases, Catalog Number elements. The Gracenote Classical Music Initiative has received support and endorsements from classical artists, experts, critics, and customers including symphonies such as the San Francisco Symphony, London Symphony Orchestra, New Zealand Symphony Orchestra, and Milwaukee Symphony Orchestra; music labels Naxos and
Harmonia-Mundi; and top classical music scholars and authors.
02 / 03 / 17
Roon Music Software Updates To
1.3 And Adds Many Great Features Popular music software Roon has finally delivered their massive update. Roon version 1.3 "marks a major step forward in Roon's ability to understand your music, and present your library as tightly knit web of composers and compositions, performers and performances -- artists and their work, and their influences, and their stories... We wanted Roon's handling of your files to improve, whether this was about how you import your collection or your iTunes playlists, or about how you export music from Roon to take with you on the go." With Room version 1.3 you can now tag Albums, Tracks, Artists, Composers, and Compositions, Playlists, and even other tags. Like Playlists, Tags can be assigned to different user profiles within the app, so each member of your household can have their own stuff. Roon 1.3 introduces a re-designed playlist browser, and a brand-new spreadsheet-style playlist screen, with selectable columns, sorting, and filtering support, as well as a tool for locating duplicate tracks within a playlist. The new Tracks view has resizable customizable columns, horizontal and vertical scrolling, individual filtering by column, and the ability to view tracks by Path. After over a year of development work, Roon is taking their first step into the exciting world of DSP. Roon 1.3 supports configurable sample-rate conversion including upsampling and DSD output support. A beautiful (but more importantly, accurate) parametric equalizer, a crossfeed implementation for headphone listening, support for convolution filters, tools for managing clipping and compensating for speaker positioning, and more. See all the new features within
Roon 1.3 at this
Periodic Audio Announces Their
Mg, Ti And Be In-Ear Monitors Periodic Audio, an audio products manufacturer specializing in high-performance portable audio solutions, will launch its first three models of in-ear monitors (IEM) at CanJam NYC 2017, February 4-5. The three new models are the Mg, Ti and Be in-ear monitors ($99, $199 and $299 respectively). These IEMs have been engineered using materials and processes common to far costlier products, to deliver superior levels of performance, comfort, and reliability. Periodic Audio has
chosen superior metals for each model: pure beryllium for the Be model, pure titanium for the Ti, and a high-magnesium content magnesium / aluminum alloy for the Mg model. All Periodic Audio IEMs use a single wideband dynamic transducer design, which eliminates the crossover
network — there are no electrical components between the amplifier and the transducer. "This innovative design is responsible for smooth, clean sound throughout the frequency range. Proper design of the transducer is
essential — the sonic result in terms of clarity, coherence, and uniform sound over the full audible range is stunning," says the company. Periodic Audio has chosen polycarbonate for its bodies for that material's innate flexibility and acoustical damping properties. Each IEM uses proprietary enclosure designs with precision-ported chambers both in front of and behind each transducer. Several elements of this design are patent pending, and leverage the extensive product design background of the company's founders. To ensure a proper fit,
a selection of small, medium and large tips made from various materials is
included. A gold plated 1/4" jack and airplane adapters are also included as is
a stylish carrying case. All models feature a low microphonic, highly flexible 1.6-meter cable made with 99.999% pure copper Litz-construction cable with precision-molded rubber strain reliefs and guides, a durable jacket of polyethylene terephthalate and 3.5mm plug of gold-plated brass.
The top-line Be model has a frequency response from 12Hz to 35kHz and presents a 32 Ohm impedance. Sensitivity is 100dB @ 1 kHz, 1 mW and they weight 9.6 grams.
02 / 02 / 17
Sonus Faber Homage Tradition Amati, Serafino & Guarneri
Loudspeakers Sonus faber seeks to evoke Italian design and creativity by restyling the Homage loudspeaker collection. These new models
consist of the Amati and Serafino floorstanders plus their Guarneri monitor on stand ($29,900, $21,900, and $15,900 with stand included respectively). The collection features four elements: Amati, Guarneri, Vox and the newcomer Serafino, a 3.5-way floorstanding speaker whose name is taken from the history of Italian violin-making. While their classical lute shape speaker cabinets are still central, finishes and design have been completely renewed. Sonus faber's "Stealth Ultraflex” is the evolution of the "Stealth Reflex" system, which is the external part at the back panel made from extruded Aluminum. This part aid in controlling the flow of air through the duct while also controlling its speed and in reducing any turbulence. The back is part of the Exosqueleton system complete with Dampshelves on top and bottom of the speakers. Guarneri and Serafino feature the so-called Silent Spikes, coaxial metal / elastomer / metal spikes which reinterpret the classic patented Z.V.T. (Zero Vibration Transmission) system. Sonus faber's Amati keeps the classic optimized suspension system. The transducers of the Homage Tradition collection are derived directly from Il Cremonese and have been further developed to create an exclusive and unique design. Top-line Amati Tradition floorstander is a 3.5-way design with H28 XTR-04 silk dome 28mm Arrow Point DAD tweeter that is implemented with a natural wood acoustic labyrinth rear chamber. Midrange is handled by an M15 XTR-04 150mm neodymium magnet dynamic driver. There are two W22XTR-08 220mm lightweight sandwich cone structure woofer made with high-tech syntactic foam core and two external surface skins of cellulose pulp. Sonus faber has optimized the crossover's "amplitude / phase response for optimal space / time performance." Sonus faber's new Homage Tradition collection is available in Red traditional walnut wood essence with black inlays combined with brushed black Aluminum and black leather. There's also a Wenge wood essence finish used for the first time by Sonus faber that features maple inlays with brushed aluminum in titanium finish and brown leather.
Streaming Music Nets Sony Music
Entertainment $1.2 Billion In 2016 According to Music Business Worldwide, "Sony Music Entertainment generated 134.83bn Yen ($1.24bn) from streaming music in calendar 2016 – and 40.65bn Yen ($372m) in the three months to end of December alone. That means Sony’s recorded music division is now earning approximately $124m every month, $31m every week, $4m every day and $167,000 every hour from the likes of Spotify and Apple Music. This quarterly streaming haul of 40.65bn Yen was up 30.3% on the 31.2bn Yen ($286m) recorded in the same period of 2015." Of note is that physical music sales still reign as the highest earner for Sony Music Entertainment with CD and vinyl sales of 137.23bn Yen ($1.26bn), which just barely beats streaming revenue by 1.8%. Sony did note in their recent
financial report that the strong United States Dollar currency combined with decreased physical
media sales hindered further revenue growth. Sony Music Entertainment's overall profit in Q3 2016 stood at 28.0bn Yen ($256m), which is an increase of 2.6% as compared to the same period in 2015. With the
CES 2017 announcement by
The DEG: Digital Entertainment Group concerning their Hi-Res Audio and Hi-Res Music 'Stream The
Studio' initiative, we predict the push to boost streaming music sales will be
strong during 2017.
Ramseur Records And Tiny Telephone Recording Offer Reel-To-Reel Over the past few years,
Ramseur Records has enlisted the audio services of John Vanderslice to produce and record all analog releases by Samantha Crain and Bombadil. These analog recordings were recorded directly to tape at Tiny Telephone Recording in San Francisco, CA. Vanderslice went as far as overseeing the cutting of the vinyl from the master tapes by the legendary Bernie Grundman. Now, Vanderslice will take the analog process a step further and personally duplicate reel-to-reel copies from the master tapes. These master tape copies will be duplicated in the same studio where each of the projects were recorded. Each master tape copy will use the same reel-to-reel equipment that Vanderslice used to make the master recording. The customer can request tape preference, output level, speed (15ips, 30ips) and tape size (1/4 to 1/2 inch) - making their copy personalized and tailor-made for their own reel-to-reel machine. Currently they offer Samantha Crain's 2015 recording
Under Branch & Thorn & Tree and the 2017 recording You Had Me At
Goodbye. Also available is Bombadil's 2017 Fences.
March Issue Features Valves, Vinyl DACs and More Enjoy the Music.com has just posted the
March 2017 issue of Hi-Fi World! This issue
features reviews of the Neat Iota Alpha loudspeakers, Audiovector loudspeakers, Cowon Plenue S digital audio player, Audio Research ARC DAC9, Quad VA-One Amplifier, Yamaha R-N402d receiver, Blue Aura V40 / PS40 Limited Edition, Black Rhodium Tempest cables, Trinity Hyperion headphones / QED USB cable, Luxman EQ-500 phonostage and more.
editorial, Noel Keywood says "Our March issue wasn't planned to be heavy in valves and vinyl. We aim to offer a broad cross section of content so there's something for everyone, from budget to esoteric, from deep digital like streamers to simple valve amps anyone can afford – never forgetting vinyl of course, in steady ascendency against all the odds.
But ever more intriguing products and ideas find their away into our offices, most undercover, as it were. A good example is Quad's VA-One, reviewed by Martin Pipe in this issue (p11). It's a thoroughly modern idea, a mini-amp designed to drive both loudspeakers and headphones, small enough to sit on a shelf or desk and not take over. Equipped with Bluetooth and a USB input, as well as traditional digital TosLink optical and electrical S/PDIF digital inputs, it'll work with phones, computers and portable players."
See what's within this issue of Hi-Fi World at this
02 / 01 / 17
Enjoy the Music.com's
February Review Magazine Is Now Available Online Enjoy the
Music.com's February Review
Magazine features many videos and press releases plus a show
report from CES 2017! We also have world premiere reviews of the impressive Dynamic Sounds Associates Pre I linestage, excellent Coincident Dynamite floorstanding speaker, and value-priced Emotiva BAS X PT-100 stereo preamplifier with DAC, phono stage and FM
tuner. Other high-end audio gear reviews include the modern classic McIntosh C2600 vacuum tube stereo preamplifier with DAC and phono stage plus the
ear-fi iFi Audio Pro iCAN professional headphone amplifier with linestage.
February Review Magazine at this link. As always, in the end what really
matters is that you... enjoy the music!
OPPO Digital Sonica 768kHz/32-bit And DSD512
Streamer / USB DAC OPPO Digital
just announced the new Sonica DAC ($799) that merges audiophile-grade performance with the latest network streaming technology. OPPO's Sonica DAC is ideally situated at the point where two different worlds in high-end audio intersect: the convenience of modern network streaming, and the ultimate sound quality of the traditional audiophile DAC. As a network streamer, the companion Sonica app for iOS and Android allows you to conveniently stream music from your smart phone or tablet, as well as from network shares on a computer or NAS drive. As a traditional audiophile DAC, Sonica DAC features all of the inputs that you'd expect, including the ability to handle high resolution PCM up to 768kHz at 32-bits and DSD up to 25 MHz (DSD512). Sonica DAC turns any computer into a high performance multi-media source by converting digital audio to analog through the ES9038PRO chip. The asynchronous USB transfer mode uses the high precision clock inside Sonica DAC to drive the audio signal, not relying on the clock quality of the computer.
You can also play music files of many formats from USB drives attached to Sonica DAC, or from home network computers and servers connected via Ethernet or Wi-Fi. Stream music from your smartphone and tablet via Wi-Fi using the Sonica app. Analog output includes both XLR balanced and RCA single-ended connectors. The audio path is fully balanced from the DAC chip all the way to the XLR jacks. Even the RCA output signal is converted from the balanced output.
California Audio Show 2017 To
Be Held July 27th Through 30th In Oakland California Audio
Show's 2017 event is scheduled for July 28 through 30. Being held at the Hilton Oakland International Airport, show hours are 10am through 6pm on July 28th and 29th, and 10am through 4pm on July 30. This hotel, built in the 1960s and recently renovated, is consisted of four three-story buildings all with 9-foot ceilings and thick walls. This is said to be ideal for sound demonstration purposes. The show will occupy the entire Building V which features the Seminar Room, 7 large and 41 standard (18' x 13.5' x 9') sound rooms. A neighboring building, namely Building IV, is a single-story convention center with a cafe/bar and a restaurant which will house the CAS Registrar, a vast vendor booth area and four additional large sound rooms. Exhibitors will be able to continue music-playing in both Buildings well after show hours into the evenings. An official Press Day, Thursday July 27, is for members of the press to conduct interviews and first listening impressions beginning at
12pm. See Enjoy the Music.com's
CAS 2015 show coverage at this link.
01 / 27 / 17
Hi-Fi Magazine Jan/Feb Issue Features News, Reviews & More Enjoy the Music.com has just posted the
January/February 2017 issue of Australian
magazine. This issue
features reviews of the Boenicke W5 SE loudspeakers, Sunfire XTEQ 8 subwoofer, Korg DS-DAC-100m USB DAC/headphone amplifier, Rega Planar 3 turntable, Dynaudio Emit M10 loudspeakers, MrSpeakers Ether-C headphones, Naim NAP 250DR power amplifier, and Spec RSA-717 EX integrated amplifier.
Within his editorial, Greg Borrowman says, "Have you ever been Rick-rolled? I have... several times. I didn't really find it funny, just confusing, because I had no idea I was the butt of an Internet joke. (I don't get out much.) If you're reading this and thinking I'm hopelessly naive, read no further unless you want to find out what's not quite so funny about
Rick-rolling. If you're wondering what the hell I'm on about, being 'Rick-rolled' is when you click on a link that you think is taking you to one place, but it instead re-directs you to a YouTube performance of Rick Astley singing his hit 'Never Gonna Give You Up' from which you then can't escape... trying to exit the clip just opens another version of the same clip in a new window. Hilarious! Not."
See what's within this issue of Australian
Hi-Fi at this
NXP i.MX 8M Decodes 20 Channels Of Hi-Res Audio And HDR Video NXP Semiconductors
new i.MX 8M family of application processors decodes pro audio fidelity with more than 20 audio channels each @ 32-bit/384kHz and brings DSD512 audio capability. Based on ARM Cortex-A53 and Cortex-M4 cores, this new processor provides industry-leading audio, voice and video processing. With low power consumption and low heat generation, NXP Semiconductors' i.MX 8M processor is aimed at consumer home audio, industrial building automation, and mobile computers. Video is handled at upwards of full 4K UltraHD resolution and HDR (Dolby Vision, HDR10, and HLG). Optimized for fanless operation, low thermal system cost and long battery life, it offers flexible memory options. GPU handles OpenGL/ES 3.1, OpenGL 3.0, Vulkan, OpenCL 1.2. There are dual independent display interfaces: MIPI-DSI (4-lanes) and HDMI 2.0a that can easily decode 4Kp60 with HDR (high dynamic range, h.265, VP9), 4Kp30 (h.264), 1080p60 (MPEG2, MPEG4p2, VC1, VP8, RV9, AVS/AVS+, h.263, DiVX), MJPEG - 8x8. Audio is decoded with upwards of six channels of I2S/SAI (20+ channels, each 32-bits @ 384 KHz); S/PDIF Tx/Rx; and DSD512. For VR and AR, dual camera tnterfaces enable MIPI-CSI (4-lanes each). External memory interfaces are LPDDR4, DDR4, DDR3L; Quad SPI with XIP. Dual USB 3.0 Type C with PHY, dual PCIe with L1 substates (for fast wake-up from low power mode) and Gigabit Ethernet controller with support for both AVB and EEE. NXP Semiconductors i.MX 8M family works with Linux OS, Android, and FreeRTOS. Uses for this new family of digital decoding includes streaming audio/video devices, over-the-top (OTT) set top boxes, digital media adapters, digital signage, machine visual inspection, streaming audio devices, surround sound, wireless or networked speakers, sound bars, audio/video (AV) receivers, public address systems, voice control and voice assistants, general purpose human machine interface (HMI) solutions (touch, voice, graphics, video, image analytics, vision, sensors).
Industry News 15 Years Ago
ISDMI Reworks Their Scheme And mp3PRO Announced After their
meeting earlier this week, the
Secure Digital Music Initiative (SDMI) is giving in and reworking their digital music delivery security system after two solid years of
development. This includes eliminating the ability to detect if a digital music file was compressed without authorization. This includes the ability for detecting SDMI watermarked song appearing on file-swapping websites such as Napster. Of course once broadband reaches more homes, uncompressed songs taken directly from CDs could be as easily
exchanged as MP3 files are today over a 56kb modem. "We continue to evaluate the proposed approaches for a content protection standard, while also bearing in mind the need for making decisions consistent with the rules of a rapidly moving marketplace," executive director of SDMI Leonardo Chiariglione said in a statement.
Looking to improve upon the sound quality of .mp3 files,
electronics manufacture Thompson and the Fraunhofer Institute are working
on the next generation mp3 file called mp3PRO. While the mp3PRO files will
play on existing mp3 players, the increased sound quality offered by the PRO
version will need to be decoded by players with the PRO capabilities. This is
along the same lines as the HDCD compact discs many audiophile are familiar
with. The goal is to enhance the sound quality while also allowing for
backwards compatibility with existing mp3 devices.
01 / 26 / 17
MusicAnswers Seeks Proper Compensation And Copyright Laws MusicAnswers
is a campaign created by songwriters, composers, performers, and producers to reclaim and protect our rights in the digital age. It is their shared belief that a vibrant and sustainable music industry is only possible when businesses that profit from music recognize its value and acknowledge the rights of its creators. They seek to unite, inform, organize, and protect our brothers and sisters in music, and we invite all music creators, industry professionals, and music fans to endorse and support our Declaration of Principles. Music has never been more popular, more accessible, or more valuable. Billions of people around the globe rely on it to enhance their lives. Overall revenue from the use of music has increased exponentially, but only a tiny fraction is finding its way to the people who actually create the music and recordings. The business of music has become unsustainable for those who make it.
"Therefore: We come together as music writers, performers, and producers to assert our right to just compensation for the use of our work in all
media. We oppose the practices of video streaming services, internet service providers, and other businesses that appropriate the value of our music in order to make huge profits selling advertising and data. We believe that like uses of music should be treated alike; that the work of music writers, performers, and producers deserves equal treatment and equal protection in all media. We require complete transparency regarding the use of our work, including the terms of and revenue from the business arrangements between digital music services, video streaming sites, and the publishers, record labels, and other entities that administer our work. We call for an immediate end to the discriminatory and secret practices in which some digital music services,
vertically-integrated music corporations, and others engage. These include unallocated advances, breakage, equity stakes, side and non-disclosure agreements, and black box payments. We support the report of the United States Copyright Office, which calls for a more equitable, efficient, and transparent music marketplace. We respectfully request that our elected representatives swiftly adopt legislation in harmony with the spirit and recommendations of the Copyright Office report. We invite all those interested in music and its future to endorse this campaign."