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Enjoy the Music.com posts audiophile news virtually every day.
Are we all too busy being serious about our systems to kick back and have fun with the music? A game of 'pass the Bluetooth' at a party has Andrew Everard wondering....
Article By Andrew Everard
Yes, our hi-fi systems
are there to be refined, optimised and listened to with rapt attention paid to
every nuance – but are we losing some of the fun of just enjoying the music?
Andrew Everard's been wondering... As a hi-fi reviewer, I get used to the incredulous reaction
when I tell people what I do for a living: 'What?' they almost invariably
exclaim, 'You get paid to listen to music?' That one's a bit akin to the
way some bristle a bit when I says I'm a journalist, then relax considerably
when I explain what I write about: 'Oh, not a real journalist, then,' was the
best response to that one. But for all that, doing what I do has treated me
pretty well over the years; yes, I get to listen to great music played on
usually fairly excellent equipment, and there's always something to pique the
interest and lead to further explanations.
article by Andrew Everard.
Are You Part Of The 80 Percent?
Roger Skoff writes about performance measurement.
By Roger Skoff
a few days ago, some guy wrote on one of the social media that he had come
across some thousand dollar speakers that were eighty percent as good as ten
thousand dollar ones. What does that mean? Do you know? Does he? Could it be that the less expensive speakers have only eighty
percent of the frequency range of the more expensive ones? Or that their
frequency response curve is only eighty (80) percent as "flat"? If so, which
twenty (20) percent of the frequency ranges are being shorted? Bass, treble,
mid-range? Can any of those be compromised and still have speakers that sound
good? Maybe the difference is one of relative sensitivity. Maybe the
thousand dollar ones are only 80 percent as loud per watt of input power as the
ten thousand dollar ones.
---> Are you
part of the 80 percent?
Amplifier Power Ratings From The Ground Up, Part 3
The final part of our series offers practical conclusions and key takeaways.
Article By Pat Brown Of SynAudCon
With this article, I
wrap up a three-part series on amplifier power ratings. In Parts 1 and 2, I
presented some relevant theory to understand what amplifier power ratings mean.
In this final installment, I'll present some practical conclusions. A wave editor presents a graphical representation of the
voltage amplitude of a waveform versus time (Figure 1). The voltage waveform
originates from a microphone, recording, electronic musical instrument, PC, etc.
The function of each stage of the signal chain is to modify this waveform. This
might include gain, equalization, delay and a host of other signal processes. By
the time it gets to the power-amplifier input, only one modification remains:
gain. Some of these voltage modifications are to introduce compensations or
corrections to the loudspeaker's response. That's why the amplifier must
preserve the voltage fidelity.
Amplifier power ratings from the ground up, part 3.
ampsandsound Bryce Monos Amplifier Review
Getting the most out of 12 Watts.
Review By Sam Rosen
Weber, the owner of ampsandsound, has been on a roll lately. 2021 has been a big
year for him. He introduced two new headphone amplifiers (The Rockwell, and the
Agartha), had two of his products put on the 2021 Stereophile recommended
component list, and introduced a new set of mono block speaker amplifiers known
as the Bryce Monos. In today's review, we are going to talk about the Bryce
Monos, which are in my opinion, the ultimate expression of Justin's single-ended
work. In the headphone world, ampsandsound has built a niche as a
high performance tube amp manufacturer. Its products, like the Bigger Ben and
the Kenzie, are well known quantities in high end headphone circles. However,
ampsandsound's best kept secret is its speaker amps.
ampsandsound Bryce Monos amplifier review.
Audeze LCD-5 Flagship Headphones Review
As good as it gets!
Review By Gary Alan Barker
I have been a big fan of
Audeze's headphones throughout the years. Since their initial release of the venerable LCD-2 over a decade ago, Audeze has become a world leader in planar magnetic technology and has produced some of the very best headphones on the planet. Well, never to let the grass grow under their feet, the engineers at Audeze have certainly been quite busy this past year with three significant new releases: LCD-R (ribbon-based headphones, and CRBN Electrostatic (their first foray into electro-static headphones), the
LCD-5's round out this amazing trifecta of great new products. The original LCD-2's wowed the world of personal audio with truly some of the best performing headphones ever released a decade ago. Their relaxed and natural tone was a stark contrast to the many brighter sounding headphones previously released like the AKG K701,
Beyerdynamic T1 and Sennheiser HD800.
Audeze LCD-5 flagship headphones review.
Topping D30Pro DAC & A30Pro Headphone Amplifier Review
The desktop DAC/headphone amplifier category is getting very crowded and competitive.
Review By W. Jennings
have a conversation about Topping. A quick Google search reveals a lot of strong
opinions about the brand; most of them are quite positive but there's a lot more
to the story. Topping have proven to be a formidable brand in the desktop
audio category and products like the Topping D30Pro DAC and A30Pro
Headphone Amplifier are selling faster than they can produce them. The brand has made some great products of late and seems to
specialize in building DACs and amplifiers with ridiculously low noise levels.
The measurements of recent models have been so impressive that most analyzers
cannot directly measure the THD+N without using a secondary amplifier and
dividing the results by the amplification factor of that secondary.
Topping D30Pro DAC & A30Pro Headphone Amplifier review.
Aavik Acoustics RIAA R-180 Phono
Excellent transparency and musicality deliver musical bliss.
Review By Tom Lyle
In July of
2021, I reviewed Aavik Acoustics's
I-180 integrated amplifier, D-180 DAC, and S-180 streamer / network player. In the review, I practically raved about
the sonic quality of all three components, so it was no surprise that Aavik earned
a hard-fought Enjoy
the Music.com 2021 Blue Note Award within
September 2021 issue. The three Aavik components bestowed a 2021 Blue Note award are
not cheap, but neither are they extravagantly priced at $7200 each. That is
certainly reasonable for high-end audio components that I thought were some of
the best I've ever heard within and above their price range. Not only that, but
these three components took a surprisingly noticeable step up in their sonic
performance when used together. I'm willing to admit that their good looks might have
initially contributed to me liking them, especially when the three components
were stacked on top of each other - an Aavik stack.
Aavik Acoustics RIAA R-180 phono preamplifier review.
World Premiere Review!
Acme Audio Labs Silver Cryo Fuses Review
Is this the best $20 bucks you can spend?
Review By Rick Becker
arrived in a Flat Rate envelope via US Postal Service. It took a while to get
them. Patience is key. The fuse packaging was appropriate for such modestly
priced product and very professional. The plastic and Mylar envelops had a
tear-off top and were re-sealable. The fuses inside were further encapsulated in
clear, snap-top plastic cylinders. A sticker on the Mylar side indicated the
Silver Cryo Fuse inside and the value of each fuse was marked by hand. A list of
Small 5x20, Large 6x32, Slow Blow T, Fast Blow F, and Special CFC Coating each
had a small box that was manually checked off to identify the fuse contained
within. This was an enormous help, not only because I had two sets of fuses to
keep track of (with and without the CFC coating), but because with
the matt-silver caps on these small fuses the engraved lettering was more
difficult to read than on typical shinny end caps.
Acme Audio Labs Silver Cryo Fuses review.
Dan Clark Audio Stealth Planar Magnetic
Redefining a flagship headphone.
Review By Gary Alan Barker
I have related my history with Dan Clark Audio headphones ad nauseam so I will spare you the details this time, but there is a reason why three of my reference headphones are Dan Clark Audio products (MrSpeakers when I acquired them). While the ETHER2 is my preferred daily use headphone due to its comfort and extreme resolution, the ETHER C Flow 1.1 remains my choice for testing tonal balance and sub-bass response, and the AEON open is my budget headphone of choice, and of course, the VOCE remains my all-time favorite headphone period, well, up to today at least. Introducing the Dan Clark Audio Stealth Planar Magnetic Headphone. As I have mentioned many, many times before, with each new Planar Magnetic headphone Dan Clark makes a huge improvement over those that came before, reaching ever closer to that magic ideal personified in the Electrostatic headphone, with greater dynamics and deep bass response to
Dan Clark Audio Stealth headphone review.
Octave V 70 Class A
Int. Amplifier Review
Merging Class A sound with the performance of an AB circuit.
Review By Michael Lang
Anyone who finds themselves exposed to the dry humor of Octave
boss and mastermind Andreas Hofmann for the first time won't be ready for it
– especially if not warned beforehand. It is likely that you'd be stunned at
first by the mixture of short, dry verbal jabs and thoughtfully delivered oral
punches. But don't worry, Hofmann is not a vicious cynic who aims to hurt or
rant. The knowledge he has acquired over many years of developing tube
amplifiers, and the worldwide recognition that comes with it, have however given
him the healthy self-confidence to put his own work into the limelight when
compared to the competition. This also entails him taking a small dig or two at
the activities of his colleagues.
Octave V 70 Class A integrated amplifier review.
Sumiko Blue Point No. 3 MC Phono Cartridge Review
graduation to moving coil.
Review By Eric Pye
Graduation. In my day job here in Alberta I'm a career and job search coach, and through the summer, graduation has been a big theme for current and former clients. June for university and high school
students. July and August for law students completing articles and being called to the
Bar. August for CPA Candidates learning whether they passed or failed their final accounting exams in May. Cause for
celebrations. This summer I've also had a graduation of sorts. I finally got to experience the joys of a Moving Coil (MC) turntable cartridge. Cause for celebration? Read on and find
out. Having only gotten back into vinyl in September of 2018, I'm now on turntables number three (Dual 701), four (Denon DP-1200) and five (Technics SL-DL1). All my cartridges have been Moving Magnet (MM), which is what
you'll typically find on entry-level turntables. Can't say I've had any complaints but will say
I've been curious about what an MC cart would bring to the party.
Sumiko Blue Point No. 3 MC phono cartridge review.
know that thing with metal balls hanging from strings? The one where you pull
back a ball on one end, let go, and it hits the others, knocking the one on the
opposite end loose? (It is called a Newton's Cradle if you want to Google up a
picture.) Okay, now imagine slipping a piece of paper between the middle balls.
That's actually a pretty good visualization of a capacitor at work. The paper
represents the insulator between the plates and the balls are electrons. When an
electron enters one side of the capacitor, one leaves the other side. If two
enter on one side, two will leave on the other. After a period of time, the
balls that left return, and an equal number of balls from first side leave. In the real world, the balls in a Newton's Cradle are obeying
Newton's Laws of Motion. An object at rest will remain at rest unless acted upon
by an outside force and all that. In a real world capacitor the motivating force
is electrostatic repulsion.
---> Capacitors and
Editorial By Art Dudley
Passions run high among music lovers. We vilify
(the ones we dislike), and we elevate marginally functional savants with a couple of
two-minute singles and some album
filler under their belts. When it comes to more unique and productive figures like Phil
Spector, Jimi Hendrix, Wilhelm Furtwängler, John Cage, or [insert your own heroes and
villains here], music fans either revere them as gods or dismiss them as meaningless.
Sometimes there are shades in between, but perspective is at a premium. This tendency to paint things black or white spills over to the equipment we use
to play back our favorite recordings. i've seen the cognoscenti dismiss people on the
basis of no more information than their choice of power amp, though I suspect few
of us are quite so one-dimensional in truth. Anyone with an internet connection can
publish broadsides proclaiming their love for equipment and music and aim verbal
barrages at their musical "enemies."
---> The intro by Art Dudley.
Voices From The Fringe?
Editorial By Joe Roberts
From Sound Practices
Issue 1, Summer 1992
Audio today consists of a much wider range of practice than
you'll find reported in the glossy mags. Some of the most interesting activity in the
hobby takes place outside the borders that commercial producers of contemporary equipment accept as their playing field. There are vintage
gear enthusiasts, modifiers of old and new gear, and people who build things that the manufacturers are wise to avoid - products with limited popular
appeal or which are not economically viable to manufacture. Except for Audio Amateur/Glass
Audio, there's no dedicated forum for do-it-yourself audio, one of the most rewarding facets of our hobby. Only a
few decades ago DIY was an important part of the hobby for people as committed to it as we are. What
---> Voices from the
Home Theater, 50% Style
Article By Dan Schmalle
From VALVE Issue 6, July 1994
Well, you guys who missed the last meeting are really gonna kick yourselves. You missed Rick and
Tina cutting a rug at our vintage disco. The meeting was obviously quite informal.
I had managed to scrounge the proper parts to repair one damaged crossover in time for the meeting so
we got to hear the A7's in stereo. Attendance was light so we pushed back the chairs and cranked 'em
up and danced. Now I don't like horn speakers as a rule, but these A7's aren't bad.
With the Stereo 70 the tweets seemed a bit harsh and throaty. I later adjusted the crossover for 6dB
attenuation and they really smoothed out. The real surprise was how nice
the triode amp I've been putting together sounded with them. I am now willing to concede that triodes
and horns can sound very good. Thanks to Mike for inspiring me to try 'em.
---> Home theater, 50% style.
Bayz Audio Courante 2.0
A new and innovative design in speaker technology.
Dr. Matthew Clott
might have to stand on your head for this review because Zoltán Bay turned the
concept of speaker production upside down and inside out when he created the Bay
Radial Speaker (BRS) Tweeter. And when you see the absolutely unique and
creative Bayz Audio Courante 2.0 speaker design ($60,000), you're not going to
be able to figure out how to stand, so just have a seat and enjoy the read.
Maybe have the computer or tablet read it to you while you listen to your
favorite composition in the background.... Be sure to grab your favorite
beverage and have that cute dog (or cat) of yours sit in your lap and snuggle
in; this is gonna be good!
Bayz Audio Courante 2.0 speaker review.
Pass Labs XP-17 Phono Preamp &
Pass Labs X250.8 Power Amplifier Review
Impressive sound quality that we've come to expect from Pass Labs.
Review By Tom Lyle
For quite some time I've been using a Pass Laboratories power
amplifier, phono stage, and headphone amplifier as references in my listening
room. There were times I thought that some might think I was a spokesperson for
this brand of equipment! I could see how some might get that idea, because not
only do I use three Pass Labs components in my system, I also will tell anyone
who will listen that I consider Pass Laboratories' high-end audio components
the best in their respective price classes. Then again, those who have read my
reviews of other brands of audio equipment will be able to tell that I approach
each review with an open mind.
Pass Labs XP-17 phono preamplifier & X250.8 power amplifier
Legendary Performance Awards 2020
Enjoy the Music.com celebrates our 25th
Anniversary reviewing high-end audio gear.
Enjoy the Music.com's
Legendary Performance Awards 2020 celebrates the incredible achievements by
high-end audio manufacturers since we've been reviewing gear for over the past two
decades. Unlike our annual Blue Note
Awards, Enjoy the Music.com's Legendary Performance Awards is a
once every 25-year event, so you know it is something very special indeed! We
tasked our extensive staff in choosing products they felt earned an
extra-special mention, which in turn shows the greatness of these legendary pieces
of high-end audio equipment.
Enjoy the Music.com's Legendary Performance Awards 2020.
We're All In This Together
A bit of retrospective during Enjoy the
Music.com's 25th Anniversary.
Editorial By Steven R. Rochlin
a doubt the familiar phrase "Hindsight is 2020" almost feels like it
originated as a message from a future time traveler, which we have profoundly
misunderstood (h/t Steve Hoffman). Looking back during the past 25 years, and
~9000(!) web pages ago, this site was originally launched as a way to easily
answer the many questions he was receiving from others online. Back then, as
best I recall, there were less than a single handful of audiophile sites online.
---> Read We're All In This Together.
Audiophile Gift 2020 December
Note: We have magazine issues dating back to 1999.
See our archives section for all reviews.