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Hi-Fi At High Altitude
Amps and Source Components HeadAmp
Offering 4 Watts @ 50 Ohms, it will drive absolutely any non-electrostatic headphone with aplomb. I started by hooking up the hard-to-drive HiFiMAN Susvara (rated at 83dB), and was pleased to find that the GSX Mini brought out all the airy extension and powerful dynamics it is known for. It was punchy, super resolving and transparent without being offensive in the higher frequencies. Sonically, I found the GSX Mini has a lot in common with the award winning Gilmore Lite 2. It has a neutral reference sound, but still brings enough resolution and dynamic pop to be a hell of a lot of fun. If you are looking for a high-end amplifier that can really do it all, be sure to check this one out.
Benchmark
I spent some time playing around with the Benchmark pieces, and they really have a high quality pro-audio-like build to them. They're the polar opposite of some of these more DIY-feeling boutique amps and DACs out there – Benchmark has a very professional level of finish on it.
Chord Electronics
The Hugo TT2 was also impressive in its ability to drive headphones. While I do find the Chord house sound to be just a touch dry with their gear driving headphones directly, there is no doubting as to the level of resolution it offers. Listening to the MrSpeakers Ether 2 on the TT2 and M Scaler combo was a somewhat profound experience and I found myself having to take a little break afterwards because the setup was so resolving it made the next couple of items sound pretty bad in comparison. I needed to stop and cleanse my palette before I could move on.
RedScape
When it came down to the sound though, RedScape was quite good. I watched some movie and game demos to test the surround sound and imaging cues were very sharp with no noticeable lag I could detect. Music on RedScape was also very good, expanding the soundscape considerably without making the music feel overly processed, which is always the main concern with a technology such as this.
Manley Labs
I spent a ton of time talking to Zia Farqui, VP of Engineering and Design at Manley, for whom this concept was a long-time dream and passion project. It is truly a technical marvel, through and through. Listening to the Absolute was a lot of fun. The folks at Manley had Nirvana's Nevermind rolling and switching from push-pull power on "In Bloom" to single-ended operation on "Come As You Are" had me grinning like an idiot. It was incredible how I was able to go from powerful and punchy to laid back and bloomy, giving each song the amplification to perfectly compliment its feel!
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