Hello,
fellow Audiolics...
Welcome to another meeting of Audiolics Anonymous,
our support group for the insatiably TWEAKED.
This month, I am again going to do an unpardonable sin for an audiolic,
and become a videolic.
Way back in Chapter 7
I discussed the RKR CASSINI DVD PLAYER, produced by RKR
VIDEO, of Huntington Beach, Ca., 714-594-0548.
http://www.rkrvideo.com, owned
by the DIGITAL CONNECTION CO. of
the same address, at http://www.digitalconnection.com.
This is still being sold as their low end HTPC (home theater personal
computer), and has done so well, that they have added several high end
machines. The one we will be discussing today is their MARQUEE unit.
What is an HTPC? It is an Intel-Microsoft based computer
with a high speed DVD-ROM drive, high speed chip, special video and sound
boards, and special software to control the above. While it can be used for all
of those normal PC functions, such as word processing, Internet, etc., it is set
up to be used primarily as a DVD player.
Where the CASSINI used
a Celeron 400 MHZ or Pentium II 500 MHZ chip, a 10 gig hard drive and
a generic sound card, the Marquee has been built for the high end audio nut.
The Cassini was great for what it did, but was borderline for processing speed
for DVD’s, and while the CD sound was very good, and the DTS and Dolby digital
for movies was very good, it did not quite come up to the standards for the best
CD playback, and could not decode 24/96 DVD discs. Enter Cliff Watson, a
computer designer, and one of the gurus for Digital Connection, and one
of the best of the best discussors on the AV Sciences web board, www.avsforum.com.
Both a computer expert and an audiophile, he decided to try to build an HTPC
with the best possible DVD, CD, and 24/96 playback, and I must say he has
succeeded admirably.
First the unit comes in a new black case, which has sound
deadening material and a special fan for very low noise. It uses a Pentium III
700-800 MHz chip which allows software rather than hardware decoding of the
video. For a discussion of the advantages of this, please see Pat Meginty’s
articles in the July through November Stereophile Guide to Home Theater.
They put in a 30 gig IBM 7200 RPM Hard Drive, to allow
recording of large files ( read
ability to store video and audio files), and 128 Mbits of SDRAM.
The audio side was improved with a special M-Audio Delta Dio 24/96
Pro sound board, controlled by a special Edition of Power DVD, a
software program which will allow decoding of the 24-bit/96 kHz DVD video type
audio discs already available, and decode 16-bit/44 kHz CD’s with 24-bit/96
kHz accuracy, while being one of the best programs for passing through DVD
audio, both Dolby Digital and DTS, and decoding DVD video. They claim specs of
104 dB dynamic range at the analog output, and 100dB for A/D conversion from the
analog inputs, 36 bits resolution in the analog-digital mixer, and -130 dB
jitter figure.
The video side is run through an Elsa Gladiac G-Force 2
GTS graphics card, with CD’s and DVD’s played on a Pioneer 16x DVD
drive. Software includes the Power DVD V 3.0 and ASUS Win DVD programs.
The unit also comes with 3Dglasses and multiple programs and 3D glasses
for those video game players. And all for $2395. That’s cheaper than
some speaker wire I’ve owned.
Does it live up to the Cassini’s reputation, and for that
matter the best I’ve heard and seen in DVD and audio reproduction. In a word, YES.
While I was thrilled with the Cassini, I cannot believe what I see and hear with
the Marquee.
First, the unit does not upsample 16/44 to 24/96, but does
use 24/96 DACs. But I must say that on every CD I’ve tried, I can hear more
low level information, such as hall and audience sounds, whispers, moving air,
etc., than I have heard with an upsampling D/A converter I’ve had in my
listening room, the name of which will remain anonymous. Interestingly, in this
month’s STEREOPHILE, there is an article and several letters discussing
whether the upsampling or the 24/96 DACs are responsible for the difference.
Personally, after listening to this unit, I think it is the DACs allowing
greater than 16 bit resolution and signal processing without loss of bits that
allows information, previously lost by lower bit and sampling rate DACs, to come
through. Maybe those low bit dropoffs and silences are actually the inability of
the DACs to decode the information.
The six 24-bit/96 kHz DVD’s I have are wonderful. While
all are from original analog masters, they do sound extremely close to first
generation tapes I have owned in
the past. I have two of them on CD’s mastered a couple of years ago, and while
CD mastering has improved since then, and one cannot tell how much care,
equalization, etc. has been done to each, there is a marked improvement in
aliveness with the 24/96’s. While the ppp’s allow the hall to stand out in
all its beauty, it’s the fff’s that will leave you gasping. The chest thrill
from the percussion and brass remind me of the feeling I used to get playing in
the French Horn section directly in front of the trumpets and bass drum.
I have only experienced that previously with first generation analog
masters.
One other great thing is that Winamp, the software CD
player with the machine will also do volume control and 12 band graphic
equalization, all in the digital domain with 24-bit resolution. Thus, even
dropping the volume by 6-8 dB still gives 16-bit resolution. Try that with most
other CD players or D/A converters. And the graphic equalizer is wonderful. I
can hear absolutely no degradation of the sound like one gets with equalization
in the analog domain. In addition, the Dio program will allow
balance control in the
digital domain, and also center fill.
I have also used the SPDIF output from the HTPC into my top
of the line EAD Signature preamp-D/A converter with 20-bit DACs, and the Marquee
definitely preserves more information. The ideal setup I have found is to let
the Marquee do the front channel D/A conversion, passing the analog signal to my
front speakers, and pass the SPDIF stream to the EAD for
decoding into the surround channels. You will be in the concert hall with
this setup.
The unit will also do 24-bit/96 kHz A/D conversion in two
channel directly onto the Hard disc drive, and will allow mixing of up to two
analog and two digital channels
into two digital or analog outputs, with full control of volume, pans, etc.
While I haven’t tried this yet with my unit, I can certainly see the unit
doing a wonderful job at recording and storage of audio info. May even replace
my DAT machine. Remember, the DIO is a pro board, not some consumer kludge.
Video from DVD’s is phenomenal, far superior
to the best consumer units. Why? Because at the minimum, it will do 480
line progressive scan at 24 FPS for Film, and 30 FPS for video, and in addition
will act as a scaler with RGB output up to a maximum of 1080 line progressive
and 120 FPS, the wonderful effect of which can only be seen on the best
projectors, and puts the best Faroudja units to the test. In addition to the
scaling , it also allows for control of brightness, contrast, hue and saturation
or color, none of which are available with most stand alone line doublers,
quadruplers, scalers, etc., with their RGB inputs. Thus, the unit can be
perfectly matched to your projector or monitor to completely erase the line
structure one can usually see, and with the high refresh rate lose motion
artifacts that can be seen even in the best film projection.
In addition, they offer a CD-RAM recorder for burning
CD’s. And since whole CD’s can be recorded and retrieved from the hard
drive, and the inexpensive computer CD-RAM instead of the much more expensive
audio discs may be used, one can save big bucks on recording copies (for
personal use of course).
Quibbles. First, like the Cassini, there are almost no
directions and no setup booklet, so unless you know your way around computers,
forget it. On the other hand the Digital Connection and AV Sciences web sites
are chock full of helpful info on setup and running of the units, and after all,
this is a great Internet machine. Second, it is difficult to contact the
company, as they take a while to answer their e-mail, and one can phone their
engineers for directions only at certain times of the day. Third, unless one is
very good at computers, it is very easy to do changes in the setup that will
screw up the system. Finally, in order to run CD’s, one must either leave a TV
monitor on or have a programmable remote that will accept the commands from the
remote keyboard.
Thus let’s sum up. The unit is a :
1. Pentium III 800 MHz. computer with all of those
capabilities. COMPUTER
2. DVD progressive video playback machine. DVD PLAYER
3. Video Scaler with up to 1920x1080P output at a max 120
Hz. refresh rate. LINE QUADRUPLER PLUS.
4. 16/44 CD
player at 24/96 bit accuracy CD PLAYER
5. 24/96 D/A CONVERTER
6. 24/96 two channel DIGITAL AUDIO RECORDER
7. 24/96 DIGITAL and AUDIO MIXER
8. 3D VIDEO GAME PLAYER with 3D GLASSES
9. MP-3 RECORDER AND PLAYER
10 CD-RAM RECORDER OPTIONAL.
11 DIGITAL GRAPHIC EQUALIZER AND VOLUME CONTROL
12 DIGITAL AUDIO AND VIDEO STORAGE
NEWS FLASH. There has been one major future upgrade just announced that
will add again to the quality of this system. Two high definition television
boards for the computer have been announced by Hauppage and Telemann that will
allow the same computer to be used as a HIGH DEFINITION TELEVISION receiver for
off the air broadcasts. And the Telemann will allow recording of the high
definition programming to hard disc or tape. They will also act as a scaler for
off the air, laser discs, VCR’s, etc. While there are already stand alone
units out there that will receive HDTV, they are much more expensive, and there
is no way of recording the programs in HDTV. The closest is a set from Toshiba
that cost $2000 plus, has now been discontinued, and only worked as a combo
unit. This will be about a $400 add-on.
SECOND NEWS FLASH. Cliff
Watson suggested today that I purchase, through the Internet, a copy of Sonic
Foundry’s Siren CD player software, www.sonicfoundry.com.
This replaces the Winamp and Windows Media player that comes with the
computer, and costs $33. Unbeliever that I was, I first downloaded their free
trial software, and listened last night. Result? No comparison.
There does appear to be more
information coming through, and I don’t know why. It also has a digital volume
control and 10 band graphic equalizer, and in addition, a reverb program which I
didn’t try, and the ability to download music from the web, store CD’s or MP
3’s on the computer, and burn CD’s if one has the CD-RAM drive. Well worth
the additional cost. And with DVD recording drives on the way, you may be the
first in your neighborhood to be able to record HDTV DVD’s.
There you have it. All of the above for $2400 to $2800.
Easily matching the strengths of equipment which could total $25000. In
addition, I have heard from the grapevine that a famous high end audio company
is planning on selling a similar computer, with half of the capabilities of this
unit, for $5000 plus. Thus, this unit is a tremendous bargain.
Gee, maybe I should take over Sam Tellig’s place as the Cheapskate.
That’s it for this month. Next month my column may be a
little later, as I am going to
attend the Consumer Electronics Show in Las Vegas. I’ve also just purchased a
digital camera, so hopefully I’ll also be adding some pretty pictures to my
columns.
Good listening (and seeing).