Home  |  High-End Audio Reviews  Audiophile Shows  Partner Mags  Hi-Fi / Music News

High-End High-Performance Audiophile Review Magazine & Hi-Fi Audio Equipment Reviews
Audiophile Equipment Review Magazine High-End Audio

  High-Performance Audio Reviews
  Music News, Show Reports, And More!

  29 Years Of Service To Music Lovers

Enjoy the Music.com Review Magazine
Angela Easterling
Blacktop Road

Click here to e-mail reviewer

 

  If Steve Earle were reborn as a girl, he'd very likely be Angela Easterling. Instead of Guitar Town she has Blacktop Road. She comes surging out of the chute like a well-spurred bronco full of sneaky sideways kicks, bucking with all the compressed energy of a tightly coiled steel spring.

Blacktop Road is Easterling's second solo release. Her first, Earning Her Wings, was named top Americana CD by Smart Choice music. For Blacktop Road Easterling went back to her roots in North Carolina where she wrote most of the material for the album. Then she enlisted producer Will Kimbrough, who brought his special roots sensibilities along with his guitar and mandolin chops to the project. Anyone with a taste for twang will appreciate Kimbrough's judicial use of old-fashioned plate reverb.

Several of the strongest songs on Blacktop Road address Easterling's family history. Their family farm, which was first settled in 1791, was cut in two by a new road that was graciously named after them by the state. The title song examines her less than positive view of the proceedings. Instead of a plaintive wail, the tune rocks with the compressed bile reminiscent of Steve Earle's "Copperhead Road." The only cover, Neil Young's "Helpless," demonstrates Easterling's ability to take even a well-known and often-covered tune and give it her own special and convincing treatment. Neil, eat your heart out...

Other tunes on Blacktop Road such as "The Picture" examine the emotional baggage of being a white Southerner with a less than untarnished family history in the area of race relations. Easterling's ambivalence toward her family's past makes for poignant songwriting. But her penetrating lyrics would be only political polemic without her enticing melodies. Her "Field of Sorrow" draws from a gospel tradition while "One Microphone" uses jug-band swing and swagger to get its point across. Easterling's thorough grounding in traditional melodies and song structures supply her tunes with strong foundations so they sound familiar without being boring.

 

 

Enjoyment:

Sound:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     
 

Quick Links


Premium Audio Review Magazine
High-End Audiophile Equipment Reviews

 

Equipment Review Archives
Turntables, Cartridges, Etc
Digital Source
Do It Yourself (DIY)
Preamplifiers
Amplifiers
Cables, Wires, Etc
Loudspeakers/ Monitors
Headphones, IEMs, Tweaks, Etc
Superior Audio Gear Reviews

 

 


Show Reports
Capital Audiofest 2024
Toronto Audiofest 2024
UK Audio Show 2024
Pacific Audio Fest 2024
HIGH END Munich 2024
AXPONA 2024 Show Report
Montreal Audiofest 2024 Report

Southwest Audio Fest 2024
Florida Intl. Audio Expo 2024
Capital Audiofest 2023 Report
Toronto Audiofest 2023 Report
...More Show Reports

 

Videos
Our Featured Videos

 


Industry & Music News

High-Performance Audio & Music News

 

Partner Print Magazines
audioXpress
Australian Hi-Fi Magazine
hi-fi+ Magazine
Sound Practices
VALVE Magazine

 

For The Press & Industry
About Us
Press Releases
Official Site Graphics

 

 

 

   

 

Home  |  High-End Audio Reviews  |  Audiophile Show Reports  Hi-Fi / Music News  About Us  |  Contact Us

 

 

All contents copyright©  1995 - 2024  Enjoy the Music.com®
May not be copied or reproduced without permission.  All rights reserved.