Home  |  High-End Audio Reviews  Audiophile Shows  Partner Mags  Hi-Fi / Music News

High-End High-Performance Audiophile Review Magazine & Hi-Fi Audio Equipment Reviews
Audiophile Equipment Review Magazine High-End Audio

  High-Performance Audio Reviews
  Music News, Show Reports, And More!

  29 Years Of Service To Music Lovers

Enjoy the Music.com Review Magazine

Simon And Garfunkle
Live From New York City, 1967

Review By Steven Stone
Click here to e-mail reviewer

Simon And Garfunkle Live From New York City, 1967

CD Stock Number: Columbia Legacy CK 61513

 

  "Sherman, set the way-back machine for New York City, 1967. I want to go to a concert." This new release from Columbia Legacy beats Mr. Peabody's infernal device by a mile. Recorded at Lincoln Center on January 22 1967, Live from New York City sounds as fresh today as it did 33 years ago.

Seventeen selections, including such well-known songs as "Homeward Bound", "A Most Peculiar Man," "59th Street Bridge Song," "The Dangling Conversation," "A Hazy Shade of Winter," I Am a Rock," "The Sound of Silence," "Richard Cory," "Wednesday Morning at 3 AM," join more obscure titles "For Emily Whenever I Find Her," "A Church is Burning," "Sparrow," "Wee Wee Tot," "Benedictus," "You Don't Know Where Your Interest Lies," "Blessed," "A Poem On The Underground Wall," and "Anji" to make up the 58:23 set. Song introductions and some between-song banter fill the spaces between numbers, but the stage patter is minimal, as befits S&G's serious pop-art folk music demeanor.

Accompanied by Paul Simon's lone guitar, the duo's signature dual leads possess a simple and undeniable power. Personally, I much prefer these unadorned versions to the tarted-up pop arrangements found on their studio albums. Their two voices coupled with Simon's virtuosic guitar work is really all the arrangement these songs need. Originally recorded on 1/2 four-track analog tape, and then transferred to digital media, reissue producer Bob Irwin changed nothing; "no redos and no-retouching." The final result is much like a good black and white documentary photograph - simple, compelling, unadorned truth. Except for a bit of tape flutter, which you can hear primarily on the guitar parts, the sound preserves the immediacy and intimacy of the original event. With Simon panned to the right, Garfunkle panned left, and the guitar part dead center, the natural soundstage has a seductively palpable verisimilitude.

Live from New York City, 1967 should appeal to both hardcore Simon and Garfunkle fans, and anyone who would like just one Simon and Garfunkle album containing their most famous songs. Simple and direct, Live from New York City, 1967 is a musical flashback that makes virtual time-travel a satisfying reality.

 

 

Enjoyment:

Sound Quality:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     

Premium Audio Review Magazine
High-End Audiophile Equipment Reviews

 

Equipment Review Archives
Turntables, Cartridges, Etc
Digital Source
Do It Yourself (DIY)
Preamplifiers
Amplifiers
Cables, Wires, Etc
Loudspeakers/ Monitors
Headphones, IEMs, Tweaks, Etc
Superior Audio Gear Reviews


Show Reports
Capital Audiofest 2024
Toronto Audiofest 2024
UK Audio Show 2024
Pacific Audio Fest 2024
HIGH END Munich 2024
AXPONA 2024 Show Report
Montreal Audiofest 2024 Report

Southwest Audio Fest 2024
Florida Intl. Audio Expo 2024
...More Show Reports

 

Videos
Our Featured Videos


Industry & Music News

High-End Audio & Music News

 

Partner Print Magazines
audioXpress
hi-fi+ Magazine
Sound Practices
VALVE Magazine

 

For The Press & Industry
About Us
Press Releases
Official Site Graphics

 

   

 

Home  |  High-End Audio Reviews  |  Audiophile Show Reports  Hi-Fi / Music News  About Us  |  Contact Us

 

 

All contents copyright©  1995 - 2024  Enjoy the Music.com®
May not be copied or reproduced without permission.  All rights reserved.