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October 1999
One thing I hate about hi-fi is the lack of music lovers (Holy Dudes as my hero Gizmo would say) versus the techie, tweaky, anal audiophiles. I am not talking about the guy who loves music, and can appreciate a good system. I am talking about that guy who has $50k worth of equip, can talk about his silver cables for twelve hours straight and owns a total of 30 albums. The system should merely be a tool to enjoy music more. With this philosophy in mind, I think Robert Harley hit the nail on the head. He describes Hi-fi as a "passion for music, and for how well it is reproduced…High-end audio isn't about equipment; it's about music."
I am very happy that he took this approach.
The Complete Guide to High-End Audio has a chapter devoted to describing the goals of the music-loving
audiophiles and how the industry is philosophically different from mass-fi audio. I think this is an important thing to note. Those of us who love this hobby have a very different approach to music and stereo than your average Joe who wants the $199 DD receiver they have on sale at
(name of lo-fi mass market store here) and the big speakers with four 22" woofers. Also, the people who make the equipment have different priorities. It's not about graphic equalizers and blinking LCD displays
anymore (what? you mean disco is dead? :-{) --ed).
Once the book covers the basics of a particular piece of equip, the next section usually describes what to listen to in a good piece. Most of us have to learn this the hard way, but if you can learn vicariously, please do. You can save
a lot of money and time by taking this man's advice. Aside from covering product selection, the speaker placement information and tweak sections let you really optimize that well selected system you just bought.
Author's Reply My goal in writing the book was to make high-quality music reproduction technology accessible to anyone who enjoys music, not just the technically oriented. A second goal was to help experienced audiophiles get the most performance and musical enjoyment from their systems, no matter what their budgets. The new Second Edition reviewed by Mr. Selina has been completely updated, expanded, and revised from the original. The book grew by 110 pages, and about a third of it is new material. I included topics missing from the first edition: DVD-Audio and SACD, DSP room correction, single-ended amplifiers, portable high-end audio, digital amplifiers, and many other new technologies. The Complete Guide to High-End Audio now also includes a 530-term glossary and a much more extensive index. Finally, I was happy that Mr. Selina recognized the book's fundamental principle: that the all the technology described exists merely in service of conveying the musicians' expression, and with it, our ability to more deeply enjoy the music. Robert Harley |
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