September 2009
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World Premiere!
Trend Standard Edition PA-10 Headphone Amplifier
With Chinese 6N11 Tube
Side by side comparison of two versions.
Review By A. Colin Flood
Click here to e-mail reviewer
The day we published the June
2009 review of Trend's new Special Edition PA-10 headphone and
pre-amplifier, their Standard Edition of the same amplifier arrived. Instead
of a Russian 6H23n, it has a Chinese 6N11 tube sticking out of the matchbox size
aluminum case. The Standard version is less expensive, $225 versus $265. Both
versions are small enough, even with the wall wart, to invite portable use;
except for the fragile glass tube sticking out the top. Both versions tuck in
nicely next to a PC monitor.
Side by side, the two versions are so completely identical
that this tweaking audiophile put a red "C," for Chinese, on the serial number
label on the bottom. Other than that, the only way to tell the difference is
Trend's small purple shipping box.
There are six options on the box:
Tube
BJ RU
MIS
Cable
CLTW BS VDE
The tube options indicate standard Chinese (BJ for
Beijing
), special edition Russian and new 12AU7 tube versions. The cable options are
U.S.
(grounded three-prong plug), Europe/French and U.K/H.K. In
China they call the common 6922/6DJ8 pre-amplifier tube a 6N11. These thumb size
tubes are common in many amplifiers and pre-amplifiers. Trend presets the
jumpers and DC bias voltage for the packaged vacuum tube. Oddly, the power
switch on the back operated in the opposite direction: down was "on," but then
the Chinese read backward too (from right to left side).
Also on the back are two properly labeled RCA audio inputs.
One is "Pc/iPod," the other is "CD/DAC." You slide a little black selector to
choose between the inputs. When using the PA-10 as a pre-amplifier, both
switches are located inconveniently on the back. I warmed up both amplifiers. I reviewed them side-by-side
using my winged Audio-Technica
ATH-A700 and Sennheiser HD 650 cans; Sony and Klipsch Custom 1
in-ear buds, all on my Oppo
DV-981HD player. I used the delicate white DACT
Dual patch cords and a gold Radio shack ¼ to mini adapter. This is my
seventh article in a series of headphone reviews. Read the previous Trend
reviews for technical information about them and their amplifiers. I listened to
the same tracks on both amplifiers, including my Test
CDs. Once warmed up, both amplifiers are as hot as toaster to the touch.
Of the two tube amplifiers, Trend's Marketing Director David
Ho said the "
Beijing
6N11 is providing the balance sound in full range and good fidelity." He says, "over
35% sales of Trends PA-10 is in headphone market." On my Oppo player, the difference between the two versions was
remarkable. The Russian version was much better than the Chinese one.
Presentation was smoother, the highs were much better. The edges were gone. On both versions, the PA-10 sound opens up about
10:00
on the dial. Neither version could get the Sennheiser 650s to open up and sound
strong or loud. Most listening therefore was with the ATH-A700s.
Number 7s
On many types of music, the Chinese version sounds harsh, with
too many rough edges. On Dire Straits' classic Brothers
in Arms (Warner Brothers), song seven is "The Man's Too Strong." The
Chinese version struggled with the piano, making it sharp and raw; vocals are
more direct and forward. Bass is slightly more solid and simple. The Chinese version crushes the crescendo against a wall of
resistance. It adds a PA quality to Mark Knopfer's sotto voce. It mashed
instruments together like an AM radio. It made guitar strings brittle and
bright. Although this Lilliputian amplifier is generally easy to listen to at
modest volumes, higher levels quickly reveals glaring faults. Mid-range vocals
do not have the "naturalness" of tubes. Voices are physically present.
They just don't have tangible texture. Perhaps because of their harsh edge,
vocals are not overly convincing, detailed or coherent.
On DMP
does DSD, track seven is the classic "Summertime." The Chinese version
rendered this song bright, hard and relentless. The piano notes are raw. The
cello has less growl than other amplifiers. While the attack seems fine, the
quick decay seems to loose the essence and texture of the notes. The Chinese
version has plenty of slam, but no soothing breathlessness to the flutes. With
the Klipsch buds, the clipping is noticeable, along with volume knob and
self-hissing noise. There is copious distortion near
noon
on the dial.
The bass wasn't disappointing with action movies. Gunshots,
and other special movie effects, can shake the walls. Though bass has impact,
but the treble is too crisp and clean. Past
midnight
on the dial and the high-end stabs your ear.
Similar
Scores
I award two Blue Notes for Enjoy the Music.com categories only where the component
disappoints with below average performance, compared to other units. Enjoyment
is my own category; yet it is the only one that truly matters. In the previous
review, the Russian version is a weaker offering than the Antique Sound Lab HB1,
which is close to the same price. The Chinese version of the PA-10 is weaker
still. I didn't enjoy the music. I kept turning down the volume and switching to
other cans and amplifiers.