May 2013
World Premiere!
VPI Scout 1.1 Turntable
Simply put, one of the best values in audio today!
Review By Alfred Fredel
Ten Years In The Making
Many
things can happen over the course of a decade. Regimes can rise and fall, styles
can come and go and technologies can change and grow. Ten years ago, I was
ordering parts for my VPI turntable when I happened to speak to a very nice lady
who advised me of a new table that would be significantly better than my current
table. Thanked her of course and told her I would consider it when it was
available. Well, ten years ago there were many projects on my plate and that
little piece of advice slipped my mind until I actually got a chance to hear
what I had missed several years later. That was the first chance to feast my
eyes on the VPI Scout.
Ten years later, VPI has taken what was one of
the most celebrated turntables in audio and had the nerve to improve it while
keeping the unit reasonably priced. This time, I was not going to miss my chance
to take this new improved Scout for a spin and see for myself why this turntable
has endured the test of time and captured the attention of so many music lovers.
So I contacted Mathew Weisfeld at VPI
(seen right) to see if I could get a review sample of
the new Scout. Ever excited about the prospect of having something new in my
hands to review, I waited patiently until the new Scout 1.1 arrived on my
proverbial doorstep. Upon picking it up, one thing ran through my mind.,.. "man,
this thing is heavy!". It was a significant foreshadowing of what was to come in
terms of the quality and build of this product.
As I opened the box, it was amazing to see the
care that was placed in packing the turntable. Each component of the unit was
neatly placed in padded compartments and everything was logical located to
securely ship the unit. The Scout's impressive chassis is made from 1 1/8"
thick MDF bonded to a 12 gauge steel plate giving the unit rock solid stability
and excellent dampening qualities. In a separate but equally sturdy housing, VPI
supplies a 600 RPM AC synchronous motor that is both powerful and smooth. Also
included with the Scout 1.1 is the JMW-9 tonearm, a beautiful unipivot design
made out of solid stainless steel. One clear advantage to the VPI design that
this reviewer likes is the ability to remove the armwand in mere seconds,
allowing for multiple armwands to accommodate different cartridges. An RCA
junction box is provided to allow for the listener's choice of RCA-terminated
interconnects to be used. VPI does not supply a cartridge with the turntable but
they can provide selected cartridges that they will mount for you at an
additional cost.
There are two significant improvements to the new
Scout 1.1 that have made a big difference. First, the good folks at VPI have
opted to replace the acrylic platter from the previous generation with an aluminum
platter. The new platter adds significant mass and the company's
founder and designer believes that it just sounds better. The second improvement
is a new bearing that was first developed for the Traveler turntable, which is
now being incorporated on the Scout 1.1 offering smoother operation. The new oil
bath bearing was intended to be part of the original Scout's design, but ten
years ago they could not accurately produce the component. Ten years later, you
have a bearing that works flawlessly and takes the table to a new level.
Setting up the turntable was an interesting
exercise and I would have loved to use two armwands to mount both of my
cartridges. These eyes are not as good as they used to be, so it was a bit of
work to get each one mounted correctly on the tonearm. For this review, I chose
a Goldring 1022GX as my moving magnet cartridge and an Audio Technica OC9 ML as
the moving coil cartridge. The phono preamplifier is a unit produced by Tokyo
Sound and all cables are from the UltraConductor 2 series by JPS Labs. For
amplification, I chose the new Hercules tube power amplifier from Audio
Electronics (review to come) as well as a Rotel 960 solid-state unit. My
preamplifier is a passive unit that I built several years ago that always does
the trick to add absolutely nothing to the signal. My loudspeaker choices were
my Totem Arro columns and a pair of Mistral BOW 3 bookshelf units from Napa
Acoustic. Once everything was hooked up and ready to go, I turned my attention
to getting the Scout 1.1 up and running.
After putting all the components together on the
Scout1.1, I made sure that the turntable was level, the tonearm geometry was
correct and that the cartridge was aligned. This took me quite some time
due to my obsessive-compulsive nature that drives the ongoing belief that
everything must be perfect. About an hour after coaxing the best sound I could
out of the Scout 1.1, I was ready to sit down and actually listen to some music.
Spinning Some Tunes On The
Scout 1.1
The first cartridge to be mounted on the Scout 1.1 was the Goldring 1022GX high
output moving magnet. It is noted to be a warm and fairly dynamic British
cartridge. The JMW 9t tonearm is a work of art and presented one of the most
musical performances that I have ever heard. To many that have never used this
tonearm, it may seem that it is a bit unstable. It may take a bit of getting
used to its natural motion because of its unique unipivot design but rest
assured that the rewards are substantial. I have never heard the Goldring
cartridge sound as good it did on any other arm. The sound coming from the Scout
1.1 was rich, detailed and almost sexy. I sat for hours listening with a new
appreciation for my record collection. When I played The
Grand Illusion by Styx, "Come Sail Away" was almost magical with
incredible detail and punch that I had not heard before from this record. The
electric guitars hit me with the force of a hurricane giving me a significant "wow"
reaction. Al Green was next on my list with the classic tune "Let's Stay
Together", the title track of the album. Al entered my living room and preached
the gospel of love to me via the Scout 1.1 convincingly with a smooth delivery
that had great pace and rhythm. On Tom Petty's Full
Moon Fever, the acoustic guitars and hard driving electric guitars
sounded very real and natural on "Runnin' Down a Dream", one of my favorite
Petty songs. It was a solid thumbs up for the Scout 1.1 and Goldring
combination. Off came the armwand and back I went to my workbench to mount the
Audio Technica cartridge.
After another hour of mounting and adjusting, I
was ready to give this moving coil a shot at the Scout 1.1 turntable. The Audio
Technica OC9 ML is noted to be a low output moving coil cartridge that is both
refined and detailed while having very tight and respectable bass response. It
has a tracking weight that is less than the Goldring cartridge and is an
excellent tracker. I assumed it would be a good match for the JMW-9, which is
also a fantastic tracking tonearm. This combination of turntable and cartridge
presented a totally different yet inviting picture. Where the Goldring was more
aggressive and warm; the Audio Technica combination was more subtle and
reserved. The Scout 1.1 reflected the character of each cartridge with ease and
it was a pleasure to note the differences.
Maiden Voyage
by Herbie Hancock was my starting choice. The title track is an exercise in
space and harmony that has an otherworldly vibe. The Scout 1.1 allowed for the
tune to breath and expand with clean wide-open space and little noise, a truly
enjoyable experience. The instruments seemed just to appear from nowhere and
just disappear into nothingness, all with excellent timing. Next, I dug up one
of my favorite albums pressed on 180 gram vinyl from Miles Davis. Kind
of Blue is a classic album that should be on every jazz lover's
shelf. My favorite tune on this album is "So What" and the Scout 1.1 did not
disappoint me. It gave me the smoothest performance I have heard with great flow
and dynamics, capturing every bit of information that was hiding in the grooves.
It was very impressive indeed. Of course listened to classical, jazz, rock and
blues and the one thing that kept coming to mind was that the Scout 1.1 was
consistently good at reproducing music, drawing the listener deeply into
whatever was spinning on the platter. The last thing on the list was an
album by a guitarist who like Jimi Hendrix left us way too soon. Stevie Ray
Vaughan was one of the most gifted blues guitarists to hit the stage. His album Texas
Flood demonstrates his virtuosic abilities particularly on the title
track. The Scout 1.1 was able to recapture the magic of Stevie's guitar and
place it squarely in the room with commanding realism. I greatly enjoyed my time
with the new Scout 1.1 and this is another success for VPI and Harry Weisfeld.
Summing It Up
When you initially look at the Scout 1.1, it does not
scream, "watch out, I'm hot stuff!" Rather, it quietly lets you know that it
means business. All parts on the Scout 1.1 are of top quality and the unique
tonearm alone is worth the modest price. Include the high quality plinth,
platter, bearing and motor and you have a real winner. Additionally, it is good
to know that this awesome product is made in America with American materials. It
is absolutely one of the best values in audio today and I would venture to say
that this turntable bests others costing thousands of dollars more! With its
simple straightforward design, it will be sure to offer years of satisfaction.
Run to your VPI dealer and audition this turntable. You simply will not do
better for $2000, a small price to pay to enjoy the music for years to come.