This issue has proved a serious shoehorn job, and has rather
fewer reviews than usual. Indeed a number of items I was planning to do myself
had to be held over at the last minute, so that my Subjective
Sounds this month has turned into a 'taster or 'preview'
column, giving a brief taste of several devices there wasn't space to review
properly. (Hopefully they will appear in the next issue.)
The reasons are twofold: Devialet/SAM and MQA. Both are
fascinating and important new components and technologies that demand our
detailed attention, so it's maybe rather unfortunate that both turned up at
roughly the same time. The result might be a bit techno-heavy for some
readers, but I also hope they make for an unusually interesting read.
One of the issues to make the national media recently is the
question of advertising influencing editorial coverage. Peter Oborne – a
fine and lucid commentator, even if one might not share his political views
– recently resigned his position as political editor of The Daily Telegraph
newspaper, because of what he considered undue advertiser influence on a
particular story.
It's an issue that will be familiar enough to anybody who
works in the media, and is a major reason why we at HIFICRITIC
decided not to take advertising. Regrettably this also necessarily
makes us significantly more costly than the competition, since advertising
revenue has long been used to subsidise the cover price of most magazines. But
the fact that we're now entering our ninth year of publication does perhaps
emphasise the validity of our stance.
This doesn't mean that we're entirely immune from any
form of political pressure, since we still rely on manufacturer and
distributor cooperation in acquiring loan equipment for review etc. But it
does tend to reduce the pressure by a worthwhile amount. Besides its lack of
advertising (and corresponding advertiser pressure), I believe that HIFICRITIC
differs from the other hi-fi magazines in several respects. Perhaps
the most important of these is that our editorial content includes features as
well as the equipment reviews that seem to be the overwhelmingly dominant
element in every one of today's hi-fi magazines.
When I joined Hi-Fi News some 40 years ago, I was originally
appointed as Features Editor (subsequently promoted to Deputy Editor). In
those days the equipment reviews were edited by a freelance operator working
from home (Donald Aldous), and were relegated to the rear of the publication,
as Editor John Crabbe considered them relatively unimportant. (He had a point,
as the reviews back then weren't particularly interesting.)
However, a survey showed that the readers were actually very
keen on them, so their future status became established, and both reviewers
and the reviews themselves improved. I certainly wouldn't deny the
importance of equipment reviews, which can often explore similar grounds as a
feature. But there's clearly also a historic precedent for general articles
about hi-fi that aren't necessarily linked to a specific piece of hardware,
and HIFICRITIC will continue to
include these features alongside the inevitable equipment reviews.
– Paul Messenger
Editor
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