I'm pleased - nay proud - to point out that
HIFICRITIC has now been running for
three full years.
We've managed to survive the toughest economic crisis within most living
memories. It hasn't been easy, and we have had to reduce our publishing frequency from
bi-monthly to quarterly (while adding eight extra feature pages, and increasing the page
size). But we have survived, so we must be doing some things right.
That may be because we've got some of the best critics and writers around. This issue
sees Peter Comeau's first 'Letter from Shenzhen'. Peter has tried his hand at most things
in British hi-fi. He began in retail, became a reviewer, founded Heybrook and ran itfor many years, joined Mission as its chief designer, then took over
World Designs to indulge his enthusiasm for the vintage side - valve amps, Garrard turntables and classic
Then came a call from IAG, which wanted him to head up its Hi-Fi Division as
Director of Acoustic Design.IAG is a Chinese company based in Shenzhen (close to
Hong Kong), a Chinese operation which has accumulated a string of famous British
brands, including Quad, Wharfedale, Mission, Audiolab and Castle. Such an offer
would be difficult for anyone to refuse, never mind a lifelong hi-fi enthusiast like
Peter. However, this new post did involve relocating to China, which gave me the cherished
opportunity to find a reputable and experienced one-time journalist who could give
us some idea of what was actually going on, in the giant country that had so rapidly
become the world leader in hi-fi manufacture. Hopefully he'll find time to send us the
occasional dispatch between designing at least four ranges of speakers!
It's been tough even keeping to our four-issue schedule this year, thanks in part to
the difficulties with the postal system. This issue ought to arrive well before Christmas,
and we are attempting to drag the schedule forward a little, but it's not proving an easy
task. Some of the blame for our persistent tardiness is certainly down to yours truly,
and the inevitable reluctance of any freelancer to turn down any work that's offered.
Furthermore, in this issue I've rather broken my own rule of concentrating on the
editing role rather than getting too involved in the writing side of things. Frankly, I
think I've written too much of the content this time around, but it just seemed to
happen that way.
Whether or not it's a by-product of the credit crunch, getting hold of loan stock for
review also seems to have become increasingly difficult lately. I started chasing up the
headphones that are reviewed in this issue way back in September, while going round
the Whittlebury Hall hi-fi show. A couple of pairs arrived quickly enough, but the final
pair took at least five weeks to arrive, which seems an unconscionably long time, and
inevitably delayed the review well beyond the 'official' copy date.
So we continue to appear later than we'd hoped, but at least we have managed to get
distributed (deo volente) within our quarterly 'window'. The patience of our subscribers
is much appreciated, and our apologies to the less patient. Hopefully the content is
worth the wait.
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