1. That both competing high-rez format camps would realize it is difficult
enough for one format to make it commercially (especially in the present
perilous economy) let alone two directly competing ones. Sony/Philips should
think about some incentives they could offer the TimeWarner camp to drop DVD-A
and support the only one of the two formats that offers true high-rez
multichannel - SACD. (Don't make the Beta vs. VHS error all over again! Look
at the huge success of DVD video when everyone got their act together!)
2. That manufacturers would quickly offer $300-range multichannel SACD
players that also play DVD-Video, so that those who would be first-time DVD
buyers could painlessly include SACD playback. (Yes, the new $400 Sony is a
multichannel SACD but not a DVD-Video deck.)
3. That all multichannel players would henceforth offer a six-channel
FireWire digital output or six coaxial outputs for use with new outboard
multichannel DACS or complete processors/ receivers for ultimate high end
sonic quality. (The software makers' fears of piracy are in danger of
scuttling both formats in the high end world.)
4. That the separate LFE channel - fine for movies but inappropriate for
music - be dropped in favor of six full-range channels. (See David Chesky's
proposal in our July 2000 issue - in the Archives; though he eliminates the
center front channel - with which we disagree.)
5. That complete bass management (in both directions) for all multichannel
formats - high and low-rez - be included in all multichannel receivers and
processors, including entry-level.
6. Since it is obvious that 5.1 surround sound for films is not suitable
for SSfM (surround sound for music), and the system of one speaker per channel
is limited, replace it with more flexible surround approaches in which the
speakers tend to draw less attention to themselves. (B-format Ambisonics, for
example, requires only 4 channels and can serve any number of speakers. Thus
space is freed up for other mixes, longer playing times, a binaural headphone
option or video. DTS and DD are OK, but wouldn't it be a kick to have ultimate
multichannel SACD sound with our music DVD videos?)
7. That DVD-A players be designed for use by music-lovers who lack a video
display in the same room or do not even own one! (Even the Sony 9000SE
requires a monitor display in order to turn off progressive scan to improve
SACD-only playback.) A simple front-panel display could handle this.
8. That Sony Music wake up and re-press all their SACD-Only discs as hybrid
SACD/CD discs like everyone else.
9. That increased consumer acceptance of SACD outside of the high end - due
to its multichannel abilities and lower price of players - will eventually
bring down the price of SACD software to that of current standard CDs.
- John Sunier