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Capital Audiofest 2025 Audiophile Show Expands

Capital Audiofest 2025 Audiophile Show Expands
Capital Audiofest (CAF) 2025 is set to take place from November 14th to 16th at the Hilton Rockville in Maryland, continuing its legacy as the East Coast's largest and most beloved high-end audio show. The event will run from 10 a.m. to 6 p.m. on Friday and Saturday, and 10 a.m. to 4 p.m. on Sunday, offering three full days of immersive listening experiences, gear demos, and community engagement. Founded in 2010 by Gary Gill, CAF has grown from a grassroots gathering into a cornerstone of the North American audiophile calendar, drawing enthusiasts, engineers, and manufacturers from across the globe. The 2025 edition promises to uphold its reputation for warmth and accessibility, with a family-friendly atmosphere and a strong emphasis on music appreciation. Music lovers will enjoy a CAF record-breaking ~150 listening rooms, each tailored by exhibitors to showcase their latest innovations in audio reproduction. Attendees can expect to audition everything from cost-no-object reference systems to clever budget-friendly setups, with a wide range of analog and digital front ends.
---> Capital Audiofest 2025 Audiophile Show Expands.

 

 

Date Change: HIGH END 2026 From June 4th To 7th

Date Change: HIGH END 2026 From June 4th To 7th
HIGH END 2026 represents the biggest high-end audiophile show's 40-year history: after more than two decades in Munich's MOC, and Frankfurt before that, the world-leading high-fidelity audio event migrates East to the Austria Center Vienna (ACV). The venue's 26,000 m² of newly refurbished, digitally future-proof exhibit space spans multiple levels and purpose-built halls, giving brands everything from intimate listening rooms to cavernous product-launch stages. The High End Society picked Vienna precisely because the ACV's modern acoustics, fiber backbone and modular floorplan let manufacturers push experiential demos far beyond the limitations of Munich's hotel-style cabins—think full Dolby Atmos suites, immersive headphone quiet zones, car-audio test rides inside the complex, plus many spaces for home audiophile stereo sound systems. The relocation also taps into Vienna's musical halo: attendees can spend the evening at the Musikverein, then audition the same Mahler symphony on an immersive home audio rig the next morning.
---> Date Change: HIGH END 2026 From June 4th To 7th.

 

 

audioXpress July 2025

audioXpress' July 2025 Issue
Editorial: Mixed Senses And Audio Vocabulary
Illusonic IAP 8 Advanced Audio Processor And Preamplifier
Burkhard Vogel Extends Valuable Knowledge On Op-Amps
Beat Tracking Explained
Linearizing Microphones CORE+ By DPA
A Microacoustics Modeling Primer Part 1
Audio Amplifier Power Measurement
Low Frequency, Very Low Frequency, And Infrasonic Annoyance
Instrument Amplifier Effects Loops
And Much More!
---> audioXpress July 2025 Issue.

 

 

Roger Daltrey Has Been Knighted By King Charles III

Roger Daltrey Has Been Knighted By King Charles III
Sir Roger Daltrey, the 81-year-old co-founder and powerhouse voice of The Who, has been knighted in King Charles III's 2025 Birthday Honors list. The accolade caps more than six decades of boundary-shattering rock—from the microphone-lassoing ferocity of "My Generation" to the operatic ambition of Tommy—and places Daltrey alongside fellow honorees such as Steve Winwood and David Beckham as cultural titans formally recognized for shaping modern Britain's artistic identity. The monarch's citation praises not only Daltrey's musical legacy but his tireless philanthropy: as driving force behind the Teenage Cancer Trust he has helped raise over £36 million (about $48 million) and fund 28 specialist cancer units across UK hospitals. Accepting the honor, Daltrey called it "a dream come true" and dedicated the knighthood to the "unsung heroes" who fuel the charity's work, underscoring how rock-and-roll bravado can translate into life-changing support for young patients. Beyond the pageantry of Buckingham Palace, Daltrey's elevation to "Sir" crystallizes a life arc that began in a West London council flat....
---> The Who's Roger Daltrey Has Been Knighted By King Charles III.

 

 

audioXpress' 2025 Loudspeaker Industry Sourcebook

audioXpress' 2025 Loudspeaker Industry Sourcebook
The freshly minted 2025 Loudspeaker Industry Sourcebook (LIS) by audioXpress packs the same exhaustive supplier, vendor, and service-provider listings that make it the audio sector's go-to rolodex, but layers on even more editorial firepower for an era when hedging bets and diversifying supply chains feel existential. The book opens with J. Martins' sweeping State of the Speaker Industry report, tracing last year's bull run through Q3 2024. Dan Digre, who has captained MISCO Speakers for 40+ years, dissects what "resilience" really looks like for a U.S. loudspeaker manufacturer with Asian operations, offering granular anecdotes on dual-sourcing, component localization, and the chess game of logistics. Audio Engineering Society ( AES) president Gary Gottlieb zooms out, revisiting the Society's 75-year history of standards-setting (think balanced lines, loudness metering, immersive-audio reference curves) and arguing that today's fractured, app-centric ecosystem needs an even stronger AES backbone. Meanwhile, WiSA Association chief Tony Ostrom maps the future living room....
---> audioXpress' 2025 Loudspeaker Industry Sourcebook.

 

 

HIGH END 2025 Audiophile Show Report High End Society's HIGH END 2025 Audiophile / Immersivephile Event In Munich

HIGH END 2025 Munich Audiophile Show Report
The HIGH END 2025 audiophile / immersivephile event is an internationally renowned audio exhibition that will take place from May 15 to May 18, 2025, at the M.O.C. Event Center in Munich, Germany. This event is a must-visit for anyone passionate about high-quality audio technology, as it brings together manufacturers, distributors, retailers, and in open to consumers from over 40 countries. The HIGH END 2025 exhibition will feature hundreds of exhibitors showcasing their latest innovations in consumer electronics technology, including hi-fi audio, high-end video, home theater, and bespoke entertainment solutions for millionaires and billionaires alike. Visitors can expect to experience groundbreaking trends, technological advances, and exclusive world premieres. This year's brand ambassador is the Norwegian singer Anette Askvik, who embodies the event's motto "Passion for Music". Her hypnotic sound and deep emotion perfectly reflect the passion for promoting audio technology that the HIGH END 2025 exhibition aims to convey. 
---> Enjoy the Music.com's HIGH END 2025 Audiophile Show Report.

 

 

audioXpress       Hi-Fi+ Magazine

 

 

High-End Audio Show Reports

HIGH END Munich 2025 Audiophile Show Report
HIGH END Munich 2025

 

Lone Star Audio Fest 2025 Show Report
Lone Star Audio Fest 2025

 

AXPONA 2025 High-End Audiophile Show Report
AXPONA 2025

 

Montreal Audiofest 2025 Show Report
Montreal Audiofest 2025

 

Southwest Audio Fest 2025 High-End Audio Show Report
Southwest Audio Fest 2025

 

Florida International Audio Expo 2025 High-End Audiophile Show Report
Florida International Audio Expo 2025

 

Capital Audiofest 2024 Show Report (CAF 2024)
Capital Audiofest 2024

 

Toronto Audiofest 2024 Show Report
Toronto Audiofest 2024

 

UK Audio Show 2024 Report
UK Audio Show 2024

 

Pacific Audio Fest 2024 Show Report
Pacific Audio Fest 2024

---> More Show Reports 

 

 

Can There Be Too Many Notes? Not just listening, but truly hearing the music.

Audiophiles: Can There Be Too Many Notes?
Not just listening, but truly hearing the music.
Article By Roger Skoff
Do you remember the part in the movie Amadeus where Emperor Joseph II, his Kapellmeister, and other music advisory staff, including Salieri, have just heard a part of Mozart's latest work, are less than pleased with it, and the emperor declares that it "has too many notes"? Mozart is shocked and amazed, and, to everyone's horror, openly disagrees with the emperor and his sycophants, saying, instead, that there are precisely as many notes as there needs to be. That was about an opera, The Abduction From The Seraglio, but the same thing could be said of any piece of music – there are neither more nor fewer notes than there needs to be to communicate what the composer is trying to say. I remember hearing a lecture many years ago about Beethoven, where the speaker was analyzing one of the great Beethoven symphonies, note by note, phrase by phrase, and showing that even that great and complex work was composed of just a few simple themes and leitmotifs, layered, interwoven, repeated, inverted, changed in key, and passed from one instrument or instrumental group to another.....
---> Audiophiles: Can There Be Too Many Notes.

 

 

Raidho X2.6 Floorstanding Loudspeaker Review Unlocking the enchanting potential of sonic art.

Raidho X2.6 Floorstanding Loudspeaker Review
Unlocking the enchanting potential of sonic art.
Review By Tom Lyle
The subject of this review, the Raidho X2.6 floorstanding loudspeaker, is from their newer "X" Series. In its literature, Raidho states that the "X" in this series moniker denotes "eXtreme performance for the price." Yes, their X series features four models that, on average, are priced lower than most of Raidho's other models. Even though these four models in Raidho's X series speakers might have been built to a price point, I couldn't find anything about their X.2 — including their level of technological precision, fit and finish, not to mention their sound quality — that would indicate any cost-cutting measures. On their website, Raidho mentions that the goals of the X2.6 are the same as those of all their loudspeakers, which include low noise and coloration, a "dramatic, energetic" sound with a "vast soundstage," and a detailed sound that doesn't induce fatigue, among other traits. $21,000 might be a low price for a pair of Raidho speakers, but still, any audiophile who spends this amount of money should demand a certain level of quality.
---> Raidho X2.6 Floorstanding Loudspeaker Review.

 

 

Defining Audio Excellence: Avantgarde Acoustic Colibri C2 Hornspeaker And C18 Subwoofer Review Experience sonic brilliance — where dreams sometimes do come true.

World Premiere Review!
Defining Audio Excellence: Avantgarde Acoustic Colibri C2 Hornspeaker And C18 Subwoofer Review
Experience sonic brilliance — where dreams sometimes do come true.
Review By Paul Schumann
Let's go back in time a few years ago. It was January 2000, so that's over 25(!) years ago. The world had survived the Y2K crisis. Having recently purchased a couple of issues of Sound Practices, then listening to an amazing DIY system, was starting to catch SET (Singe-Ended Triode) fever. I was also following an audio review website that focused quite heavily on SET gear and high-sensitivity loudspeakers to use with it. That website was, of course, Enjoy the Music.com. That January back in 2000 our Creative Director, Steven R Rochlin, posted a review of the then new Avantgarde Acoustic Uno hornspeakers. They had big blue horns and looked unlike any loudspeaker I had ever seen. You could tell from Steven's Avantgarde Acoustic Uno review that they were something very special. After reading it, I had a bad case of audio envy. However, there was also family with three young children then, so extra funds were diverted to more noble causes. Realistically, even if I had the funds, the Unos were way too big for my small living room. But we all have our silly little pipe dreams, don't we?
---> Avantgarde Acoustic Colibri C2 Hornspeaker And C18 Subwoofer Review.

 

 

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