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Best Of 2025 Blue Note Equipment Awards -- High-End Audiophile Gear Showcase

Best Of 2025 Blue Note Equipment Awards
Celebrating the best high fidelity / high-end audiophile gear of 2025!
High-End Audio Awards By Enjoy the Music.com
Enjoy the Music.com's Best Of 2025 Blue Note Awards celebrates the many great achievements by audiophile manufacturers within the high-end audio and Hi-Res Audio industry. Our 2025 Blue Note Awards is a three decade culmination of reviewing luxurious high-end audio equipment and carefully choosing what products have earned special recognition for our annual awards. Our Best Of 2025 Blue Note Award celebrates the finest products we have reviewed during the previous 12 months. Recipients have been carefully chosen after much debate and consideration by our staff of reviewers. With each passing year our industry has experienced great advancements in technology including analog circuitry, vinyl LP and analog playback, digital-to-analog converters (DACs), loudspeaker design, personal media players, and more. While there are many great pieces of premium high fidelity audio equipment now available within the marketplace, Enjoy the Music.com's Best Of 2025 Blue Note Awards is compiled from products we have reviewed within the past 12 months that have earned extra special attention.
---> Best Of 2025 Blue Note Equipment Awards.

 

 

High-End Audio & Music Industry News

Lossy 24-bit/44.1 kHz FLAC Arrives For Spotify Premium

Lossy 24-bit/44.1 kHz FLAC Arrives For Spotify Premium
Spotify has begun rolling out better quality, though still lossy digital audio, to Premium subscribers in select markets, marking a big missed opportunity launch. Since virtually the beginning of digital recording for the compact disc format in the 1980s, Soundstream's 20-bit/48kHz digital recorder or DAT-like formats were the minimum, with rates of 24-bit/96kHz and higher for modern re-mastering of analog magnetic tape and top-level recording studios as offered on music services such as Qobuz. Spotify's Premium users will receive an in-app notification when their so-called "Lossless" (according to Spotify) becomes available, unlocking streaming in up to the 1990's digital audio standard of 24-bit and 1980's standard of 44.1kHz for nearly every track in their catalog. Whether diving into new releases or rediscovering old favorites, listeners can experience a bit higher quality of recorded music's depth, clarity, and nuance across their playlists than Spotify offered previously. With French company Qobuz music streaming service offering up to 24-bit/192kHz FLAC, obviously those desiring the very best immersive Hi-Res Music experience will seek out high-quality online music services.
---> Lossy 24-bit/44.1 kHz FLAC Arrives For Spotify Premium Users.

 

 

Revox Group & National Audio Company Cassette Production

Revox Group & National Audio Company Cassette Production
U.S.-based National Audio Company Inc. and Swiss Revox Group have joined forces to relaunch high-end audio cassette production in Villingen, Germany. Under the partnership, National Audio will install its original cassette tape production line at the Revox Manufacture, enabling on-site fabrication of both blank and pre-recorded cassettes. This facility aims to deliver studio-quality analog playback and recording for music enthusiasts worldwide. By combining National Audio's decades of expertise in professional tape manufacturing with Revox's legacy in premium audio systems and master tapes, the alliance will position Revox as Europe's market leader in empty and music cassettes. The Villingen plant is set to become one of the continent's largest magnetic tape within cassette casing production sites, offering three distinct formulations—including a Type II chrome-compatible version—and bespoke European-made cassette housings to ensure the highest analog fidelity.
---> Revox Group & National Audio Company Audio Cassette Production.

 

 

Edinburgh Hi-AV Show 2025 In November

Edinburgh Hi-AV Show 2025 In November
Edinburgh's premier destination for audiophiles and AV enthusiasts returns this autumn with the second edition of the Edinburgh HI-AV Show, taking place at the DoubleTree by Hilton Edinburgh Airport on Saturday, November 8 and Sunday, November 9, 2025. Organized by the family-run Chester Group—whose pedigree includes popular events across England—the show makes its comeback after a 17-year hiatus, building on the success of last year's relaunch. The airport-side venue offers seamless access via Ingliston Park and Ride and two tram stops, ensuring visitors from across Scotland and beyond can arrive relaxed and ready to immerse themselves in cutting-edge audio experiences. Attendees can expect an expanded footprint this year, with dedicated demonstration zones showcasing a spectrum of high-performance systems—from the refined warmth of vacuum tube amplification to the precision of Hi-Res Audio DACs and room correction devices.
---> Edinburgh Hi-AV Show 2025 In November.

 

 

SoundExchange Appeals Ruling Of $400M Underpayment By SiriusXM

SoundExchange Appeals $400M Underpayment By SiriusXM
SoundExchange filed a notice of appeal in September, asking the U.S. Court of Appeals for the Second Circuit to overturn an August decision that dismissed its lawsuit against SiriusXM. In the original ruling, Judge Naomi Reice Buchwald of the Southern District of New York concluded that Congress never granted SoundExchange the authority to litigate royalty disputes on behalf of recording artists and labels, effectively barring the performance rights organization from enforcing its members' claims in court. In its appeal, SoundExchange argues that the dismissal rests on a "flawed interpretation" of the Digital Performance in Sound Recordings Act of 1995 and the Digital Millennium Copyright Act of 1998. The organization insists that Congress intended the statutory license's enforcement power to include litigation when digital music services underpay artists and rights holders.
---> SoundExchange Appeals $400M Underpayment By SiriusXM.

 

 

BPI News About UK-US Trade And Tariffs

BPI News About UK-US Trade And Tariffs
The BPI (British Phonographic Industry), a representative voice for the UK's record companies, music business, and label businesses to champion British music, has released details about U.S. tariffs. The U.S. introduced new tariffs on imported physical goods on April 5th (2025) to incentives on-shore manufacturing, and address "unfair" trade practices. Most UK exports now face a 10% baseline tariff in addition to existing duties, while countries deemed "worst offenders" encounter higher reciprocal rates—EU-origin goods, for example, are hit with 15%, with the Swiss experiencing a crushing 39% import duty. However, U.S. Customs and Border Protection carved out an exemption for "informational materials," including phonograph records (vinyl LPs), CDs (compact discs), audio cassette tapes, and similar items under Exception 9903.01.31. Despite this, music-industry members report that merchandise and recording-equipment shipments have sometimes been wrongly classified and taxed, reflecting inconsistent application of the exemption.
---> BPI News About UK-US Trade And Tariffs.

 

 

audioXpress       Hi-Fi+ Magazine

 

 

High-End Audio Show Reports

Toronto Audiofest 2025 Show Report
Toronto Audiofest 2025

 

HIGH END Munich 2025 Audiophile Show Report
HIGH END Munich 2025

 

Lone Star Audio Fest 2025 Show Report
Lone Star Audio Fest 2025

 

AXPONA 2025 High-End Audiophile Show Report
AXPONA 2025

 

Montreal Audiofest 2025 Show Report
Montreal Audiofest 2025

 

Southwest Audio Fest 2025 High-End Audio Show Report
Southwest Audio Fest 2025

 

Florida International Audio Expo 2025 High-End Audiophile Show Report
Florida International Audio Expo 2025

 

Capital Audiofest 2024 Show Report (CAF 2024)
Capital Audiofest 2024

 

Toronto Audiofest 2024 Show Report
Toronto Audiofest 2024

 

UK Audio Show 2024 Report
UK Audio Show 2024

Pacific Audio Fest 2024 Show Report
Pacific Audio Fest 2024

---> More Show Reports 

 

 

Raidho X2.6 Floorstanding Loudspeaker Review Unlocking the enchanting potential of sonic art.

Raidho X2.6 Floorstanding Loudspeaker Review
Unlocking the enchanting potential of sonic art.
Review By Tom Lyle
The subject of this review, the Raidho X2.6 floorstanding loudspeaker, is from their newer "X" Series. In its literature, Raidho states that the "X" in this series moniker denotes "eXtreme performance for the price." Yes, their X series features four models that, on average, are priced lower than most of Raidho's other models. Even though these four models in Raidho's X series speakers might have been built to a price point, I couldn't find anything about their X.2 — including their level of technological precision, fit and finish, not to mention their sound quality — that would indicate any cost-cutting measures. On their website, Raidho mentions that the goals of the X2.6 are the same as those of all their loudspeakers, which include low noise and coloration, a "dramatic, energetic" sound with a "vast soundstage," and a detailed sound that doesn't induce fatigue, among other traits. $21,000 might be a low price for a pair of Raidho speakers, but still, any audiophile who spends this amount of money should demand a certain level of quality.
---> Raidho X2.6 Floorstanding Loudspeaker Review.

 

 

Rogue Audio Sphinx V3 Magnum Hybrid Stereo Integrated Amplifier Review

Rogue Audio Sphinx V3 Magnum Hybrid Stereo Integrated Amplifier Review
Back to the future.
Review By Ric Mancuso / Bargain Audiophile
The Rogue Audio Sphinx was first introduced sometime around late 2013. I purchased the original Sphinx from Rogue Audio upon a recommendation from a friend. Imagine an integrated hybrid tube and solid-state stereo amplifier with 100 Watts output at 8 Ohms (200W @ 4 Ohms), with vacuum tubes in the front end! I later came to find that it was the perfect unit to power my classic Martin Logan SL3 electrostatic hybrid loudspeakers. Turns out that Mark O'Brien of Rogue Audio told me that Rogue Audio had displayed with Martin Logan at audio shows, and it was a superb match-up. I still own the original Sphinx which is still pushing Watts through the SL 3's in our upstairs entertainment system. I reviewed the Rogue Audio Sphinx V2 and V3 subsequent versions over the years.
---> Rogue Audio Sphinx V3 Magnum Hybrid Stereo Integrated Amplifier Review.

 

 

600 Watts Of Musical Bliss: Rotel Michi X5 Series 2 Integrated Amplifier Review

600 Watts Of Musical Bliss: Rotel Michi X5 Series 2 Integrated Amplifier Review
A modern Swiss Army Knife stereo integrated amplifier for music lovers.
Review By Brett Rudolph
A few months ago, I had the pleasure of attending the Florida International Audio Expo 2025. It was an incredible show, and the week I got home, I got even better news. My editor had arranged for me to review the new Rotel Michi X5 Series 2 solid-state stereo integrated amplifier with phono stage and Hi-Res Audio DAC here at Enjoy the Music.com. Michi is a designation that represents a flagship series of components within Rotel's family of products. Originally introduced to the market in 1993, it showcased all the best that Rotel had to offer. However, the components as we know them today were reintroduced to the market in 2019. These latest incarcerations continue to showcase the best Rotel has to offer while keeping audiophile values alive. Of course, all the labels aside, the thought of getting an integrated amplifier excited me personally.
---> 600 Watts Of Musical Bliss: Rotel Michi X5 Series 2 Integrated Amplifier Review.

 

 

Synergistic Research PowerCell 14 Power Conditioner Review

Synergistic Research PowerCell 14 Power Conditioner Review
Raising the performance of audiophile gear you plug into it.
Review By Rick Becker
The naysayers on internet forums will have a "hey"-day with this review. They complain about reviewers who proclaim that each new product they review is better than the last one. Well, I'm here to plead "guilty" as this is the third power conditioner I've reviewed in the past seven months, along with an incredible 650 photos and 59,000 words in the reviews of the Toronto Audiofest 2024 and Capital Audiofest 2024. Each power conditioner was better than the last, as well as significantly more expensive. Let me give you an overview in case you haven't been following along. My longstanding power conditioner, since July 2017 when the review was published by Enjoy the Music.com, had been the Synergistic PowerCell 8 UEF SE with an Atmosphere Level 2 power cord, a unit that sold for about $2000 at the time.
---> Synergistic Research PowerCell 14 Power Conditioner Review.

 

 

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High-End Audiophile Immersivephile Review Magazine
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