Home | High-End Audio Reviews | Audiophile Shows | Partner Mags | Daily News | Search        

  High-End Audiophile Review Magazine & Audio Equipment Reviews

High-End Audiophile Equipment Reviews & Show Reports
Your Resource For Hi-Res Audio & Industry News



























Le Festival Son et Image de Montréal 2004

Page 3
Report By Rick Becker
Click Here To E-Mail Reviewer


  An all Chord system powered Neat Acoustics Ultimatum MF7 loudspeakers that sported a pair of upward firing super tweeters.  he rack of Chord equipment in their silver anodized aluminum is a stunning contemporary visual statement, and an expensive one, at that.  New at the show were the Blu CD transport, CPA 4000 preamplifier and SPM 1400E monoblocks, which put out 480 watts into 8 ohms, 1,000 watts into 2 ohms.  No clipping here. Note the beautiful natural tiger maple finish on the Neat loudspeaker and the awesome architecture of the Chord electronics.

Chord And Neat

Upward Firing Super Tweeters On Neat


Gradient Revolution loudspeakers from Finland were making a big splash back in the 1990s and the basic model has undergone some refinement over the years, particularly a revised coaxial mid/tweeter. This $7K CN loudspeaker sounded very refined driven by Gamut electronics.  Standing well out into the room, these loudspeakers do an especially good job with orchestral music. Their triangular column styling is interesting enough to justify the forward placement, and tasteful enough to fit into both contemporary and traditional décor. Acoustically, it is accurate and easy to listen to for say, the rest of your life.

Gradient Loudspeaker


Focus Audio is a Canadian loudspeaker manufacturer whose room also usually impresses me. The FS888 ($10K CN) was their featured loudspeaker. This year they did it with a bevy of PS Audio equipment: power regenerator, power cables, preamplifier, and model 250 power amplifier.  The source was digital — an Ayre CD player and the Everest speaker cables were from the new Audioquest series that uses a battery to condition the dielectric of the cable.  The interconnects were Audioquest Sky.  This was my first exposure to the new Audioquest cable and most of the PS Audio equipment, so it is difficult for me to lay the blame on why this room sounded so excellent. My expectation for the 250 power amplifier was not the highest, since it appeared much smaller than a "proper" muscle amp should be.  But it really had a tight, fast grip on the Focus loudspeakers.  There was a lot of synergy going on here in this system, and it didn't bother me one bit that there was not a tube in sight.  The signature of the Focus loudspeakers, of course, is not only their fine sound, but their beautiful gloss burl finishes, which even extend down to their much more affordable Classic Series loudspeakers.

Focus Loudspeaker


Gershman Acoustics has retained the signature shape of their GAP loudspeaker, which I fell in love with back in the '90s, but upgraded it with a new bass driver, a newly designed transmission line, a new crossover, and new binding posts to become the 828 model.  The sound here was well balanced with a Rega Jupiter CD player feeding Linar Audio pre- and power amplifiers.  The classically styled Linar amplifiers boast exceedingly good specifications reaching very high wattage into low resistance and 110dB S/N ratio.

Gershman 828 Loudspeaker


Tondino Acoustics is another regular exhibitor at Montreal and they were playing a two-way, front ported, floor stander powered by Linn electronics — CD player, pre-amplifier, 2250 power amplifier, and Bis cables connecting it all. The accuracy and focus of this system impressed me and the music was much more accessible and engaging than what I heard in an all-Linn system in another room.  I didn't catch any prices here, but the Tondino loudspeakers are fairly moderately priced, if I'm not mistaken.

The Quad room was remarkably under-populated when I arrived so I was able to sit front and center with the 989s and recalibrate my ears on this loudspeaker that pretty much sets an industry standard for midrange clarity and neutrality. The rest of the system was first rate, too.  An Arcam FMJ CD player upsampled data to 24/192. A conrad johnson 17LS pre-amplifier fed one (or two?) MV-60 (SE version?) tube amplifiers.  Sometimes the music is just so compelling that I overlook some of the details, which is to say that this was a very good room.

Naim had a couple of rooms, one of which featured the $5,550 CN Allae loudspeaker making good music with a reasonable soundstage while being placed up against the front wall.  In another room, they showed the same trick with an entry level Naim system costing about $7,000 CN. And when we say "Naim system" we of course mean everything in the room except the carpets and the chairs. For someone who must keep their loudspeakers up against the wall, this is a definite contender among few.

Naim Loudspeaker


Antique Sound Labs had their $4K/pr Explorer monoblocks in combination with Reference 3A's new Dulcette two-way stand mounted monitor that put out very good bass for such a small loudspeaker. Coming in at $2,100 CN, $1,695 US, this crossover-less design was tube friendly, as most Reference 3A loudspeakers are, in spite of its moderate  87dB efficiency. I thought they sounded quite good.

Reference 3A Dulcette And ASL Amplifier


Dynaudio had their tall Confidence C2 Limited Edition being played by Simaudio Moon electronics. Because of the narrow sweet spot with the C2, I actually preferred the less expensive Dynaudio S5.4 loudspeaker in the rig mentioned earlier in this report.

Ginko sent me an invitation, but every time I went by their room and was confronted by a line and a wait to get into their controlled demonstration — something to do with vibration isolation platforms, if I recall correctly.  I'm sure the people who gained entry must have learned something here. Have been very impressed by, and currently use, a variety of such devices in my own system. Maybe I will see them in New York.

RL Acoustiques presented a new moderately priced (for them) loudspeaker that was more of a bass reflex design than the typical horn loaded design of their other models.  The Lam MK-1, at $6,500 CN uses the AER MK-1 driver. The front end was an Audio Aero Capitole CD player directly feeding the 150-wpc Tenor 150Hps stereo hybrid amplifier that was announced last year, and is finally in production.  While this system had great resolution, I felt it presented an upward-tilt in the tonal balance department, possibly because of the limited extension of the bass.  But if the frequency response of the loudspeaker fits your favorite flavor of music, it was a great combination. It certainly didn't want for power.

Arcam presented their new surround sound receiver, the AVR 300, capable of 7.1 playback, for about $2K US.  In another rig, Acoustic Energy AE 3 loudspeakers ($12.5K CN) sounded a little edgy powered by Arcam FMJ monoblocks.  This room had multiple systems set up and ready to play at the slightest hint of interest from a visitor. Unfortunately, with so much going on in the room, I suspect it was difficult to optimize any given system. They seem to do this every year, so it must meet their objectives.

I heard the smaller introduction first, being powered by a Gryphon Callisto 2200 integrated amp with 200 wpc ($12K CN). The Gryphon Mikado CD player ($15K CN) features asynchronous upsampling and takes the Rega Jupiter styling concept beyond even the next level.

Gryphon Electronics

Small System With Gryphon


Click here for the next page.


Click here to see last year's show coverage.
















































Quick Links

Audiophile Review Magazine
High-End Audio Equipment Reviews


Equipment Review Archives
Turntables, Cartridges, Etc
Digital Source
Do It Yourself (DIY)
Cables, Wires, Etc
Loudspeakers/ Monitors
Headphones, IEMs, Tweaks, Etc


Superior Audio Archives
Ultra High-End Audio Reviews


Enjoy the Music.TV


Editorials By Tom Lyle
Viewpoint By Roger Skoff
Viewpoint By Steven R. Rochlin
Various Think Pieces
Manufacturer Articles

Show Reports
AXPONA 2019 Show Report
Florida Audio Expo 2019 Show Report
Warsaw Audio Show 2018
New York Audio Show 2018 Report
Capital Audiofest 2018 Report
Copenhagen HighEnd 2018 Show Report
Australian Hi-Fi & AV Show 2018
Rocky Mountain Audio Fest RMAF 2018
CanJam 2018 Denver RMAF
KL International AV 2018 Show Report
High End Munich 2018 Show Report
AXPONA 2018 Show Report
CanJam SoCal 2018 Show Report
CanJam NYC 2018 Show Report
Click here for previous shows.


Audiophile Contests
Cool Free Stuff For You
Tweaks For Your System
Vinyl Logos For LP Lovers
Lust Pages Visual Beauty


Resources & Information
Music Definitions
Hi-Fi Definitions


Daily Industry News

High-End Audio News & Information


Partner Magazines
Australian Hi-Fi Magazine
hi-fi+ Magazine
HiFi Media
Hi-Fi World
Sound Practices
VALVE Magazine


For The Press & Industry
About Us
Press Releases
Official Site Graphics


Contests & Our Mailing List

Our free newsletter for monthly updates & enter our contests!


Social Media & Video





Home   |   Industry News   |   Equipment Reviews   |   Press Releases   |   About Us   |   Contact Us


All contents copyright©  1995 - 2019  Enjoy the Music.com®
May not be copied or reproduced without permission.  All rights reserved.